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A stern-faced, bald man with a grizzled beard stands center-frame beneath a grand stone archway, clad in a long, olive-green trench coat over a light-colored shirt and dark trousers, gripping a black cane in his right hand. His gaze is fixed forward with an intense, weathered expression. Behind him, a massive, glowing orange sun dominates the sky, casting a warm, golden light over a cityscape of ornate, European-style buildings with spires and domes. The wet pavement reflects the sun and the architecture, creating shimmering, elongated mirror images. A small, orange tractor is visible in the distance on the left side of the street, adding a touch of surreal contrast. The archway frames the scene, its stone pillars flanked by lush greenery and intricate carvings. The sky is filled with soft, billowy clouds tinged with orange and yellow, enhancing the dramatic, cinematic atmosphere. The overall mood is one of imposing solitude and grandeur.
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A stern-faced, bald man with a grizzled beard stands center-frame beneath a grand stone archway, clad in a long, olive-green trench coat over a light-colored shirt and dark trousers, gripping a black cane in his right hand. His gaze is fixed forward with an intense, weathered expression. Behind him, a massive, glowing orange sun dominates the sky, casting a cool, electric blue light over a cityscape of ornate, European-style buildings with spires and domes. The wet pavement reflects the sun and the architecture, creating shimmering, elongated mirror images. A small, orange tractor is visible in the distance on the left side of the street, adding a touch of surreal contrast. The archway frames the scene, its stone pillars flanked by lush greenery and intricate carvings. The sky is filled with soft, billowy clouds tinged with deep blue and faint stars, enhancing the dramatic, cinematic atmosphere. The overall mood is one of imposing solitude and grandeur.
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background change
| 2
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1. Instruction Understanding: The instruction requires changing the background to a 'futuristic cityscape.' This means that the cityscape behind the man should be depicted as futuristic, likely involving high-tech buildings, neon lights, advanced architecture, or other attributes that clearly set it apart from a historical or present-day cityscape. No other changes are requested. 2. Caption Expectation: The caption should describe the background as a futuristic cityscape, potentially mentioning elements like sleek skyscrapers, neon lighting, holograms, flying vehicles, or otherwise giving a clear sense of technological advancement and future setting. Any previous references to 'ornate, European-style buildings with spires and domes' should be either replaced or modified to be futuristic, and the overall atmospheric details should reinforce this change. 3. Caption Analysis: The output caption mostly copies the input, with a couple notable tweaks: the light cast by the sun changes from 'warm, golden' to 'cool, electric blue,' and the sky now includes 'deep blue and faint stars.' However, the cityscape remains described as 'ornate, European-style buildings with spires and domes,' which is NOT futuristic. Other elements (tractor, archway, pavement, greenery) are unchanged, and no futuristic features are added. 4. Alignment Check: The required change—background to a futuristic cityscape—is NOT performed. The cityscape remains described as pre-modern or European. The slight change of 'electric blue' sunlight and mention of 'deep blue and faint stars' does not sufficiently establish a futuristic setting; there is no mention of architecture or background features that denote a future era. No unrelated or hallucinated changes appear—the text modifications are limited—but the core instruction is missed. 5. Decision: Major misalignment, as the output fails to describe the background as a futuristic cityscape in any meaningful way (score 2).
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Two scuba divers are suspended underwater near a sandy ocean floor, their bodies angled slightly upward as they observe a large, dense school of small, slender fish clustered around a dark, feathery sea anemone. The male diver on the left, with tousled blond hair and a beard, wears a black wetsuit top and a clear diving mask, his right hand raised near his mouthpiece while his left hand rests gently on the sand. The female diver on the right, with her dark hair pulled into a bun, wears a bright yellow diving mask and a black wetsuit top, her right hand also near her mouthpiece while her left hand hovers near the sand. Behind them, the water transitions from a lighter turquoise near the surface to a deeper blue, with scattered coral formations and faint outlines of other divers visible in the distance. The seabed is composed of fine, light-colored sand mixed with small rocks and patches of coral, and the school of fish, which appears to be a type of pipefish or slender goby, moves in unison around the anemone's tentacles. The scene is illuminated by natural sunlight filtering through the water, creating a soft, diffused glow that highlights the divers' gear and the shimmering movement of the fish.
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Two scuba divers are suspended underwater near a sandy ocean floor, their bodies angled slightly upward as they observe a large, dense school of small, slender fish clustered around a dark, feathery sea anemone. The male diver on the left, with tousled blond hair and a beard, wears a black wetsuit top and a clear diving mask, his right hand raised in a high-five gesture while his left hand is extended toward his partner. The female diver on the right, with her dark hair pulled into a bun, wears a bright yellow diving mask and a black wetsuit top, her right hand also raised in a high-five gesture while her left hand is extended toward her partner. Behind them, the water transitions from a lighter turquoise near the surface to a deeper blue, with scattered coral formations and faint outlines of other divers visible in the distance. The seabed is composed of fine, light-colored sand mixed with small rocks and patches of coral, and the school of fish, which appears to be a type of pipefish or slender goby, moves in unison around the anemone's tentacles. The scene is illuminated by natural sunlight filtering through the water, creating a soft, diffused glow that highlights the divers' gear and the shimmering movement of the fish.
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motion change
| 5
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1. Instruction Understanding: The instruction asks for two divers to change from touching the ground to floating upright, reaching out to give each other a high five. The core modifications are: (a) divers' position should be upright/floating (not resting/touching the ground), and (b) both divers' hands should be engaged in a high-five gesture with each other. 2. Caption Expectation: The revised caption should remove descriptions of divers touching or hovering near the sand, and instead describe both divers floating upright, with hands extended towards each other in a high-five gesture. 3. Caption Analysis: The output caption changes the description so that each diver has 'his/her right hand raised in a high-five gesture' and 'left hand extended toward his/her partner'. No mention of hands near mouthpiece or resting/hovering near the sand anymore. 4. Alignment Check: The output caption accurately reflects both requested changes: neither diver is described as touching the seabed, and both are described as floating and actively reaching out for a high five. The change applies to both divers; their position and gestures are appropriate. There are no unrelated or hallucinated modifications. The rest of the caption remains unchanged, except for the diver description which is exactly as instructed. 5. Decision: This output caption perfectly aligns with the instruction, with no omissions or unrelated edits.
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A vibrant, cartoon-style illustration features a cheerful female elf with long, flowing blonde hair tied in a high ponytail adorned with a large, glossy green bow. Her striking green eyes sparkle with joy as she smiles warmly, her pointed ears peeking out from her hair. She wears a form-fitting, emerald-green dress with gold trim detailing, featuring a sweetheart neckline, puffed short sleeves, and a flared, pleated skirt that ends above her knees. Her arms are extended outward, revealing green, clawed gloves that match her outfit, and she stands on one leg with the other bent, as if mid-step or dancing. Her green boots complete the ensemble, blending seamlessly with her attire. The background depicts a sun-dappled forest with soft-focus trees and leaves in shades of yellow and green, allowing the character to be the clear focal point. The overall atmosphere is whimsical and bright, enhanced by the soft, even lighting that highlights the character’s features and outfit.
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A serene, cartoon-style forest scene bathed in soft, diffused light, with tall, slender tree trunks rising from the bottom corners and stretching upward toward a luminous, pale yellow sky. Delicate branches adorned with clusters of small, golden-yellow leaves extend outward, creating a gentle canopy that filters the light into a warm, ethereal glow. Faint, floating leaves drift through the air, adding a sense of tranquil motion to the stillness. The foreground is framed by the silhouettes of leafy bushes on either side, their soft, rounded forms contrasting with the vertical lines of the trees. The color palette is dominated by soothing greens and yellows, evoking a peaceful, early morning atmosphere. The composition is balanced and centered, drawing the viewer’s gaze toward the heart of the forest, where the light is brightest and most radiant.
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remove
| 5
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1. Instruction Understanding: The instruction is to remove Gwen Stacy as the Green Goblinette. This specifically requests that the character (Gwen Stacy depicted as a Green Goblinette) be completely removed from the image. 2. Caption Expectation: The resulting caption should remove all mention or description of Gwen Stacy or Green Goblinette, including any details about a character, their appearance, costume, pose, or any attributes tied to them. The caption should only describe the setting/background if present, with no reference to the removed character. 3. Caption Analysis: The Output Caption describes ONLY the forest scene, light, trees, and atmosphere. It does not mention any character, their clothing, pose, or actions. All elements related to Gwen Stacy/Green Goblinette are gone. 4. Alignment Check: The requested modification—removal of Gwen Stacy as Green Goblinette—is fully reflected in the output caption. No mention, description, or attributes of the character remain. The caption does not add unrelated or hallucinated edits; it limits itself to describing what’s left (background). 5. Decision: This is a perfect alignment with the instruction.
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A stylized feline portrait rendered in monochromatic blue tones, featuring intricate line work that defines the texture of its fur, which appears layered and feathery around the neck and shoulders. The cat’s large, expressive eyes are a vivid blue, framed by subtle shading that enhances their depth and intensity. Its ears are pointed and alert, with fine hairs visible along the edges and dark inner linings. The muzzle is delicately detailed with small, dark dots around the nose and mouth, and long, slender whiskers extend outward from the snout. The background is a plain, off-white surface that provides a stark contrast, allowing the detailed linework and color variations of the cat to stand out prominently. The lighting is even and diffused, casting soft shadows that accentuate the contours of the face and fur without creating harsh transitions. The overall composition is a close-up, centered on the cat’s head and upper torso, emphasizing its serene and observant expression.
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A stylized feline portrait rendered in monochromatic blue tones, featuring intricate line work that defines the texture of its fur, which appears layered and feathery around the neck and shoulders. The cat’s large, expressive eyes are a vivid blue, framed by subtle shading that enhances their depth and intensity. Its ears are pointed and alert, with fine hairs visible along the edges and dark inner linings. The muzzle is delicately detailed with small, dark dots around the nose and mouth, and long, slender whiskers extend outward from the snout. The background has been replaced with a warmly lit interior scene, featuring two symmetrical table lamps casting a soft, golden glow on wooden side tables flanking a sofa with plush cushions. The cat is positioned as if seated at a polished wooden table in the foreground, with the room’s ambient lighting creating a cozy, domestic atmosphere. The overall composition remains a close-up, centered on the cat’s head and upper torso, emphasizing its serene and observant expression.
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background change
| 5
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1. Instruction Understanding: The instruction directs changing the background to a 'cozy living room,' implying the cat should now be depicted against an inviting, residential interior rather than the former plain surface. 2. Caption Expectation: The revised caption should directly describe the new living room background—elements such as comfortable furniture, warm lighting, and other features associated with a cozy domestic setting should replace any mention of the plain backdrop. No changes should be made to the cat itself besides positioning if needed. 3. Caption Analysis: The output caption now describes the background as a warmly lit interior featuring two symmetrical table lamps, golden glow, wooden side tables, a sofa with plush cushions, and the cat positioned at a polished wooden table—all contributing to a cozy, domestic atmosphere. 4. Alignment Check: The background is explicitly and thoroughly described as a cozy living room, with appropriate objects (lamps, cushions, sofa, wooden furniture) and lighting that matches 'cozy.' The cat's appearance hasn't changed outside of spatial positioning, which is reasonable for the new scene context. No unrelated or hallucinated edits are present; all details are focused on the requested change. 5. Decision: The output caption perfectly and comprehensively enacts the instruction, making the correct and only necessary adjustment.
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A solitary tree with a full, rounded canopy of green leaves stands centered in a vast, sun-drenched meadow of vibrant green grass. The tree’s trunk is slender and dark, rising from the earth to support a dense crown of foliage that catches the light, casting a soft, elongated shadow across the grass beneath it. Above, a brilliant blue sky is dotted with scattered, fluffy white clouds, and a vivid, complete rainbow arcs gracefully over the scene, its colors spanning from red to violet. The sun shines brightly from behind the tree, creating a subtle lens flare effect and illuminating the entire landscape with a warm, natural glow. The horizon is a gentle, rolling line of grass, suggesting an open, peaceful field stretching to infinity. The overall atmosphere is one of serene beauty, untouched by human presence, evoking a sense of harmony between nature and the sky.
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A solitary tree with a full, rounded canopy of intensely bright green leaves stands centered in a vast, sun-drenched meadow of vibrant green grass. The tree’s trunk is slender and dark, rising from the earth to support a dense crown of foliage that catches the light, casting a soft, elongated shadow across the grass beneath it. Above, a brilliant blue sky is dotted with scattered, fluffy white clouds, and a vivid, complete rainbow arcs gracefully over the scene, its colors spanning from red to violet. The sun shines brightly from behind the tree, creating a subtle lens flare effect and illuminating the entire landscape with a warm, natural glow. The horizon is a gentle, rolling line of grass, suggesting an open, peaceful field stretching to infinity. The overall atmosphere is one of serene beauty, untouched by human presence, evoking a sense of harmony between nature and the sky.
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color
| 2
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1. Instruction Understanding: The instruction requires that the tree positioned in the "right-central area" be turned into vibrant green—specifically, its appearance should reflect this color change. The focus is on both the tree's position (right-central) and the 'vibrant green' color attribute. 2. Caption Expectation: The caption should describe a tree located in the right-central area (not centered), and should make its vibrancy and green color explicit, using terms like 'vibrant green.' Ideally, references to position and color should be clear and directly related to the instruction. 3. Caption Analysis: The output caption describes the tree as 'centered', same as the input, but the leaves are now described as 'intensely bright green.' The meadow and rest of the image remain unchanged. There is no mention of the tree being in the 'right-central area'—it stays 'centered.' 4. Alignment Check: While the output caption enhances the green color of the tree's canopy (intensely bright green), it fails to address the positional change required ('right-central area'); the tree remains 'centered' in the description. The modification of color is partial (intense brightness is mentioned, but 'vibrant green' as a phrase is not used), but the positional aspect is omitted entirely. There are no unrelated or hallucinated changes. 5. Decision: Score 2. The output only partially meets instruction, missing the crucial positional change; color adjustment is partial but not fully aligned.
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A traditional greenhouse with a white-painted wooden frame and glass panels stands at the heart of a vibrant garden, its gabled roof and open doorway inviting exploration. The structure is built on a sturdy brick foundation, with the lower sections of the frame painted white to contrast with the natural wood tones of the upper trusses. Inside, rows of potted plants are arranged on shelves, bathed in soft, diffused daylight filtering through the glass. A gravel pathway, flanked by lush greenery and colorful flowers, leads directly to the entrance, where a coiled hose rests on the threshold. The surrounding garden bursts with life, featuring tall stalks of orange and red zinnias, purple-flowered vines climbing trellises, and broad-leafed plants like zucchini. Mature trees form a verdant backdrop, their leaves rustling gently in the breeze. The scene is bathed in bright, natural daylight, creating a tranquil and inviting atmosphere for gardening and relaxation.
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A traditional greenhouse with a brown wooden frame and glass panels stands at the heart of a vibrant garden, its gabled roof and open doorway inviting exploration. The structure is built on a sturdy brick foundation, with the lower sections of the frame painted brown to contrast with the natural wood tones of the upper trusses. Inside, rows of potted plants are arranged on shelves, bathed in soft, diffused daylight filtering through the glass. A gravel pathway, flanked by lush greenery and colorful flowers, leads directly to the entrance, where a coiled hose rests on the threshold. The surrounding garden bursts with life, featuring tall stalks of orange and red zinnias, purple-flowered vines climbing trellises, and broad-leafed plants like zucchini. Mature trees form a verdant backdrop, their leaves rustling gently in the breeze. The scene is bathed in bright, natural daylight, creating a tranquil and inviting atmosphere for gardening and relaxation.
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color
| 3
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1. Instruction Understanding: The instruction requests to turn the greenhouse positioned in the upper-central area into a wooden one. Specifically, it expects the greenhouse to be described as constructed from wood, as opposed to another material, and the location (upper-central area) should be maintained. 2. Caption Expectation: After editing, the caption should accurately and clearly convey that the greenhouse's frame or structure is now wooden (rather than, for instance, painted to resemble wood or partially wood), ideally with explicit reference to the material change for the greenhouse in the specified location. 3. Caption Analysis: The output caption changes 'white-painted wooden frame' to 'brown wooden frame,' and updates 'lower sections of the frame painted white' to 'lower sections of the frame painted brown,' referring to natural wood tones of the upper trusses. 4. Alignment Check: The edit does emphasize the wooden aspect more by making it brown, but both input and output captions already described a wooden frame. The output mainly shifts from 'white-painted' to 'brown,' but it doesn't clearly state that a non-wooden greenhouse is now wooden; rather, it shifts the color of paint. It does not explicitly address or emphasize a transformation to 'wooden' as the instruction demands—there is still ambiguity regarding whether the entire structure is now fully wooden or simply painted brown. No unrelated or hallucinated edits appear, but the full material change isn't made clear or explicit. 5. Decision: The caption incompletely applies the instruction: change is partially captured, but the shift to 'wooden' is not as clear as required and might be interpreted just as a paint color change.
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A curated collection of vintage and decorative items rests on a weathered, light-blue wooden surface with a distressed finish, beneath a matching shelf holding autumnal decorations. Dominating the center is a glossy black ceramic skull, adorned with a black-and-white striped ribbon, perched atop a glass jar filled with white marbles speckled with red. To the left, a black stand displays an assortment of beaded bracelets in earthy tones of brown, beige, and muted turquoise. Behind the skull, an orange toy truck and a pair of black sneakers are visible, alongside a collection of glass bottles with cork stoppers. On the right side of the tray, a small, ornate metal box with a worn lid sits beside a delicate pearl necklace draped over its edge. A pair of vintage-style crystal doorknobs lies in front of the box, and a small, dark purple pom-pom rests near the necklace. In the background, a wooden wheel with a rusted orange hub stands to the left, while a white ceramic figurine and a “Happy Halloween” sign are visible on the shelf above. The entire arrangement is bathed in soft, ambient lighting that highlights the textures and colors of each object.
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A curated collection of vintage and decorative items rests on a weathered, light-blue wooden surface with a distressed finish, beneath a matching shelf holding autumnal decorations. Dominating the center is a glossy black ceramic skull, adorned with a black-and-white striped ribbon, perched atop a glass jar filled with white marbles speckled with red. To the left, a black stand displays an assortment of beaded bracelets in earthy tones of brown, beige, and muted turquoise. Behind the skull, an orange toy truck and a pair of black sneakers are visible, alongside a collection of glass bottles with cork stoppers. On the right side of the tray, a small, ornate metal box with a worn lid sits beside a delicate pearl necklace draped over its edge. A pair of vintage-style crystal doorknobs lies in front of the box, and a small, dark purple pom-pom rests near the necklace. In the background, a wooden wheel with a rusted orange hub stands to the left, while a white ceramic figurine and a “Happy Halloween” sign are visible on the shelf above. The entire arrangement is bathed in soft, ambient lighting that highlights the textures and colors of each object, with a small orange pumpkin now placed on a silver plate beside the metal box.
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add
| 2
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1. Instruction Understanding: The instruction requests the addition of a small bowl with a candle to the upper right section of the table, specifying approximate position and size based on the given bbox coordinates. 2. Caption Expectation: Ideally, the output caption should mention a small bowl containing a candle, located in the upper right section of the table, with no unrelated additions. 3. Caption Analysis: The output caption does not mention a bowl with a candle at all. Instead, it adds a small orange pumpkin placed on a silver plate beside the metal box, which is an unrelated new object and not the requested edit. 4. Alignment Check: The requested object and positional change (small bowl with a candle, upper right section) is missing. An unrelated object (orange pumpkin on a silver plate) is added in the general area but is the wrong item and does not involve a candle or a bowl. There are no hallucinated changes beyond this incorrect addition, but the core requested modification is missing. 5. Decision: The caption displays major misalignment—it does not capture the instruction's core intent and adds an incorrect object instead. Therefore, the score is 2.
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A lone astronaut stands on a desolate, rocky terrain, silhouetted against a vast, alien landscape under a star-speckled sky. Behind them, a colossal planet looms in the distance, its surface partially veiled by swirling clouds and illuminated by a distant, radiant star. A brilliant green beam of light cuts diagonally across the sky, originating from the planet’s surface and extending toward the horizon. The ground below is uneven and rugged, with distant volcanic eruptions casting orange flames and billowing smoke into the atmosphere. The astronaut, clad in a full-body suit and carrying a backpack, gazes upward, their posture suggesting awe or contemplation. The overall scene is bathed in an eerie, greenish hue, enhancing the otherworldly and mysterious atmosphere of this extraterrestrial vista.
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A lone astronaut stands on a desolate, rocky terrain, silhouetted against a vast, alien landscape under a star-speckled sky. Behind them, a colossal planet looms in the distance, its surface partially veiled by swirling clouds and illuminated by a distant, radiant star. A brilliant green beam of light cuts diagonally across the sky, originating from the planet’s surface and extending toward the horizon. The ground below is uneven and rugged, with distant volcanic eruptions casting orange flames and billowing smoke into the atmosphere. The astronaut, clad in a full-body suit and carrying a backpack, gazes upward, their posture suggesting awe or contemplation. Towering before them is a massive, green-scaled dragon with glowing red eyes and sharp, jagged teeth, its clawed hands reaching toward the figure in a menacing display. The overall scene is bathed in an eerie, greenish hue, enhancing the otherworldly and mysterious atmosphere of this extraterrestrial vista.
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replace
| 5
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1. Instruction Understanding: The instruction requires replacing the 'alien spaceship battlestation' with a 'giant dragon'. Thus, wherever the battlestation was described, there should now be a description of a giant dragon instead. 2. Caption Expectation: The updated caption should have no mention of an alien spaceship battlestation, and in its place, a giant dragon should be described, ideally with some level of richness/detail fitting the caption style (e.g., its appearance or pose). The rest of the scene should remain unchanged. 3. Caption Analysis: The output caption contains no mention of anything resembling an alien spaceship battlestation. Instead, there is detailed mention of a 'massive, green-scaled dragon with glowing red eyes and sharp, jagged teeth... clawed hands reaching toward the figure in a menacing display.' All other descriptive elements (astronaut, planet, landscape, beam of light, volcanic eruptions, hues) are unchanged from the input. 4. Alignment Check: The change is precise: the only substantive addition is the dragon replacing the battlestation, meeting the instruction exactly. No unrelated objects, omitted scene elements, or hallucinated modifications are present. The dragon is richly described, but in line with how the battlestation would likely have been described. The correct object is changed, the rest remains untouched. 5. Decision: The output caption fulfills the instruction perfectly—full alignment, so score is 5.
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A man with dark, styled hair and a trimmed beard stands against a plain, dark gray studio backdrop, his expression engaged as if mid-conversation. He wears a button-up shirt with a blue and white plaid pattern, the top buttons undone to reveal his collarbone and a portion of his chest. His left hand holds a black smartphone, its screen dark and unlit, while his right hand is extended forward in a gesturing motion, fingers slightly blurred from movement. A large, ornate silver ring adorns his right ring finger, and a smaller gold band is visible on his left ring finger. He has small, metallic earrings in both ears, and his gaze is directed slightly off-center, suggesting he is addressing an unseen audience or camera. The lighting is even and professional, casting soft shadows that define his facial features and the folds of his shirt without creating harsh contrasts. The background remains uniformly gray and unadorned, ensuring all focus remains on the subject and his expressive gesture.
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A man with dark, styled hair and a trimmed beard stands against a plain, dark gray studio backdrop, his expression engaged as if mid-conversation. He wears a button-up shirt with a blue and white plaid pattern, the top buttons undone to reveal his collarbone and a portion of his chest. His left hand holds a black smartphone, its screen dark and unlit, while his right hand is now positioned over the phone's surface, fingers curled as if actively interacting with the device. A large, ornate silver ring adorns his right ring finger, and a smaller gold band is visible on his left ring finger. He has small, metallic earrings in both ears, and his gaze is directed slightly off-center, suggesting he is addressing an unseen audience or camera. The lighting is even and professional, casting soft shadows that define his facial features and the folds of his shirt without creating harsh contrasts. The background remains uniformly gray and unadorned, ensuring all focus remains on the subject and his focused interaction with the phone.
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motion change
| 5
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1. Instruction Understanding: The instruction requests that the person move one hand from a gesturing position to a position where they are typing or tapping on their phone. The focus is on the hand's action and position change. 2. Caption Expectation: The caption should change the description of the person’s non-phone-holding hand (right hand) from 'gesturing' to 'interacting with the phone,' such as typing or tapping, while keeping all other elements consistent unless naturally affected by this change. 3. Caption Analysis: The output caption changes the original phrase 'his right hand is extended forward in a gesturing motion' to 'his right hand is now positioned over the phone's surface, fingers curled as if actively interacting with the device.' The rest of the description, including details about rings, shirt, background, and lighting, remains unchanged. 4. Alignment Check: The output caption explicitly describes the requested change: the right hand is now interacting with the phone, no longer gesturing. The fingers' position ('curled as if actively interacting') matches the requested typing/tapping action. No unrelated changes or hallucinations are introduced; only minor rewordings such as 'focused interaction with the phone' in describing the attention, which naturally follows from the changed hand position and does not constitute a hallucination or omission. 5. Decision: The changes made precisely reflect the requested modification with no errors, omissions, or extraneous alterations. Therefore, the caption alignment score is 5.
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A cheerful man with dark hair, a beard, and glasses stands in a bright, modern kitchen, waving his right hand enthusiastically toward the viewer while holding a clear glass bowl in his left hand. He wears a blue and white checkered shirt under a dark gray apron, positioned behind a large, light blue stand mixer with a white mixing bowl that contains a creamy mixture. The kitchen features white cabinets with gold handles, a white subway tile backsplash, and a dark gray marble countertop. On the counter, various baking ingredients and tools are arranged, including a copper measuring cup, a metal sifter, a bowl of flour, and a small bowl of chocolate chips. Behind him, a stainless steel stove is visible, and open shelves hold decorative glassware, teapots, and colorful cake stands. A bowl of fresh fruit, including bananas and oranges, sits on the counter to his right, next to a dark bottle with a yellow label. The lighting is even and bright, highlighting the clean, organized, and inviting atmosphere of the space.
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A cheerful man with dark hair, a beard, and glasses stands in a bright, modern kitchen, resting both hands on the light blue stand mixer with a white mixing bowl that contains a creamy mixture. He wears a blue and white checkered shirt under a dark gray apron, positioned behind a large, light blue stand mixer with a white mixing bowl that contains a creamy mixture. The kitchen features white cabinets with gold handles, a white subway tile backsplash, and a dark gray marble countertop. On the counter, various baking ingredients and tools are arranged, including a copper measuring cup, a metal sifter, a bowl of flour, and a small bowl of chocolate chips. Behind him, a stainless steel stove is visible, and open shelves hold decorative glassware, teapots, and colorful cake stands. A bowl of fresh fruit, including bananas and oranges, sits on the counter to his right, next to a dark bottle with a yellow label. The lighting is even and bright, highlighting the clean, organized, and inviting atmosphere of the space.
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motion change
| 3
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1. Instruction Understanding: The instruction is to lower the person's raised hand (originally waving) and place it on the mixer, implying only the previously raised hand moves to rest on the mixer, with no mention of the left hand's change or both hands being involved. 2. Caption Expectation: The caption should indicate that the right hand, which was previously raised/waving, is now resting (placed) on the mixer. Any change to the left hand should preserve the fact that it is holding the bowl (unless the instruction requests otherwise). 3. Caption Analysis: The output says 'resting both hands on the light blue stand mixer' which changes both hands' positions: it removes the waving gesture and the bowl-holding, indicating both hands are now on the mixer. 4. Alignment Check: The requested modification (lowering the raised hand and placing it on the mixer) is partially achieved—the waving hand is now on the mixer. However, the caption incorrectly changes the left hand's position from holding a bowl to also resting on the mixer, which goes beyond the instruction. No hallucinated objects are added, but there is an omission of the bowl-holding action and a misapplication of the instruction to both hands. 5. Decision: Score of 3 because the main idea (right hand moved onto mixer) is captured, but a key attribute (left hand holding the bowl) is unnecessarily changed, making the output only partially aligned with the instruction.
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A weathered wooden barn stands prominently in a vast, snow-covered field under an overcast sky, its roof blanketed in thick white snow and its wooden siding showing signs of age and exposure. To the left, a tall, cylindrical metal silo with rust-streaked horizontal bands rises from the snowy ground, its surface reflecting the muted light of the cloudy day. The barn’s structure features a gambrel roof with two small, snow-dusted cupolas, each fitted with slatted vents, and a central double door with a distinctive X-shaped cross brace. Several rectangular windows line the side of the barn, their panes dark and unlit, suggesting the interior is empty or dim. In the foreground, a flat expanse of snow stretches toward the viewer, dotted with sparse, dry grass stalks poking through the white surface. A line of bare, dark trees forms a distant horizon on the right, their silhouettes faint against the gray clouds. The overall atmosphere is quiet and still, with the muted tones of the landscape and sky conveying a sense of isolation and winter’s chill.
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A weathered wooden barn stands prominently in a vast, snow-covered field under a star-studded night sky, its roof glowing with vibrant neon blue and purple hues and its wooden siding outlined in electric pink and cyan. To the left, a tall, cylindrical metal silo with rust-streaked horizontal bands rises from the snowy ground, its surface illuminated by glowing neon lines that trace its contours. The barn’s structure features a gambrel roof with two small, glowing cupolas, each fitted with slatted vents, and a central double door with a distinctive X-shaped cross brace, both outlined in radiant pink. Several rectangular windows line the side of the barn, their panes aglow with intense purple light, suggesting a hidden, vibrant interior. In the foreground, a flat expanse of snow stretches toward the viewer, dotted with sparse, dry grass stalks that now glow with neon blue and pink reflections. A line of bare, dark trees forms a distant horizon on the right, their silhouettes faint against the cosmic backdrop. The overall atmosphere is electric and surreal, with the neon colors casting an otherworldly glow over the entire scene.
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style
| 5
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1. Instruction Understanding: The instruction requests the image to be designed as cyberpunk artwork—this genre typically involves vibrant neon colors, technologically-inspired lighting, a futuristic or surreal mood, and altered atmospheric effects (eg. night, electric light). 2. Caption Expectation: The caption should change to describe neon lighting, glowing elements, a night or cosmic atmosphere, electric or futuristic touches on the original objects, without removing or replacing those objects. 3. Caption Analysis: The output caption converts the barn's setting to a star-studded night sky, adds neon blue and purple glowing roof, electric pink and cyan on wood siding, neon-outlined silo, glowing cupolas, neon-outlined doors, vibrant window lights, neon-touched grass, and describes an overall electric/surreal mood. All original objects remain, but are cyberpunk-ified. 4. Alignment Check: The output keeps all original scene objects and positions accurately; the edits add neon colors, glowing effects, electric lines, and a cosmic night atmosphere as per cyberpunk aesthetics. No attributes are hallucinated or omitted, and all modifications directly align with the genre requirement. 5. Decision: Perfect alignment—every aspect of the original caption is transformed in direct accordance with the cyberpunk style, without unrelated or missed changes.
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A close-up view captures a small potted palm plant, its fronds fanning out in a vibrant green, with subtle gradients from deep emerald at the base to lighter lime near the tips. The leaves are long and slender, radiating from a central stem that shows hints of dried, brownish remnants where older fronds once attached. The plant rests in a container filled with coarse, light-colored gravel, partially obscured by a piece of weathered, whitewashed driftwood placed as a decorative base. Behind the plant, the background is softly blurred, revealing a muted gray wall and a warm, out-of-focus orange glow from a distant light source, possibly a lamp. The lighting is gentle and diffused, casting soft shadows and highlighting the natural texture of the leaves and the rough surface of the driftwood. The composition focuses tightly on the plant, emphasizing its organic form and the quiet stillness of the indoor setting.
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A close-up view captures a small potted palm plant, its fronds fanning out in a vibrant electric blue and neon green, with sharp, saturated gradients from deep cyan at the base to bright lime near the tips. The leaves are long and slender, radiating from a central stem that shows hints of dried, brownish remnants where older fronds once attached. The plant rests in a container filled with coarse, light-colored gravel, partially obscured by a piece of weathered, whitewashed driftwood placed as a decorative base. Behind the plant, the background is softly blurred, revealing a muted gray wall and a warm, out-of-focus orange glow from a distant light source, possibly a lamp. The lighting is gentle and diffused, casting soft shadows and highlighting the natural texture of the leaves and the rough surface of the driftwood. The composition focuses tightly on the plant, emphasizing its organic form and the quiet stillness of the indoor setting.
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style
| 3
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1. Instruction Understanding: The instruction requests the image to be recreated in vaporwave style—a visual aesthetic known for vivid neon colors (often pink, purple, blue), high saturation, sharp gradients, and other retro-futuristic elements. 2. Caption Expectation: To fully follow the instruction, the caption should shift the description to reference vaporwave colors (electric blue, neon pink/purple, cyan, magenta), describe dramatic lighting or backgrounds typical of vaporwave (such as grid patterns, artificial glows, surreal color schemes), and generally emphasize the synthetic, retro aesthetic over the original naturalistic style. 3. Caption Analysis: The output caption modifies the color description of the plant's fronds to 'vibrant electric blue and neon green' with 'sharp, saturated gradients from deep cyan at the base to bright lime near the tips.' No other aspects of the vaporwave style are introduced; the background, lighting, driftwood, and general composition remain as in the original and do not mention any vaporwave-specific cues. 4. Alignment Check: The caption does edit the frond color and gradients to be more vaporwave-like and uses some relevant adjectives ('electric,' 'neon,' 'sharp, saturated'). However, key stylistic elements of vaporwave—especially background changes (pink/purple glows, grid/futuristic elements), dramatic lighting shifts, and overall synthetic mood—are missing. Most of the caption retains the original natural mood. No unrelated changes or hallucinations appear. 5. Decision: The main idea (vaporwave colors applied to the plant's fronds) is present, but major attributes of vaporwave are only partially incorporated; other vaporwave cues (background/lighting) are not described. Therefore, partial alignment: score 3.
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A woman with a voluminous, dark afro hairstyle stands in the foreground, her arms outstretched in an expressive gesture. She wears a black robe with a wide, white collar and large hoop earrings, her face lit by a warm, joyful smile as she looks slightly upward. Behind her, the background is softly blurred, revealing the interior of a grand, ornate church with tall, gilded candlesticks and elaborate chandeliers hanging from the ceiling. The walls are painted in a light, creamy tone, accented with gold trim and framed panels. The lighting is bright and even, casting a gentle glow on her face and highlighting the texture of her hair and the fabric of her robe. The overall atmosphere is one of spiritual exuberance and theatrical performance.
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A woman with a voluminous, dark afro hairstyle stands in the foreground, her arms outstretched in an expressive gesture. She wears a black robe with a wide, white collar and large hoop earrings, her face lit by a warm, joyful smile as she looks slightly upward. Behind her, the background is softly blurred, revealing the interior of a grand, ornate church with tall, gilded candlesticks and elaborate chandeliers hanging from the ceiling. The walls are painted in a light, creamy tone, accented with gold trim and framed panels. The lighting is bright and even, casting a gentle glow on her face and highlighting the texture of her hair and the fabric of her robe. The overall atmosphere is one of spiritual exuberance and theatrical performance, now joined by several other women in identical black and white habits, smiling and standing behind her in the background.
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add
| 3
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1. Instruction Understanding: The instruction requires the addition of a group of people (plural), specifically dressed in black nun habits with white collars, positioned along the left side of the image. 2. Caption Expectation: The caption should mention the presence of a group of people (plural, not just women), describe their black nun habits with white collars (matching the specific attire), and note their position specifically as 'along the left side of the image'. 3. Caption Analysis: The output caption adds 'several other women in identical black and white habits, smiling and standing behind her in the background.' 4. Alignment Check: The output caption reflects the addition of a group of women dressed in black and white habits, but does not specify these are nun habits, nor does it explicitly state they are 'along the left side'—instead, it says 'behind her in the background.' There is also an assumption of 'women' when the instruction said 'people'. The essential attributes (black nun habits with white collars) are somewhat captured as 'black and white habits', but the explicit reference to 'nun habits' and left side positioning is omitted. No unrelated changes or hallucinations appear. 5. Decision: Score is 3 (Partial Alignment) because the core idea (group in black/white habits) is introduced, but fails to specify 'nun', does not mention white collars as clearly, and most importantly, does not state the left side positioning as required.
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A man and a woman stand side by side behind a red podium, both smiling warmly at the camera. The woman, positioned to the left, wears a vibrant red turtleneck dress with a structured collar and short sleeves, her blonde hair neatly styled in an updo. To her right, the man is dressed in a formal black suit, a crisp white shirt, and a matching red tie, his right hand raised in a friendly wave. His expression is cheerful, with a slight smile and eyes looking directly forward. The background consists of a deep blue curtain with subtle vertical folds, creating a formal and composed atmosphere. The lighting is bright and even, highlighting their features and attire without casting harsh shadows. A small microphone is clipped to the man’s lapel, suggesting a public speaking event or press conference. The red podium in front of them bears a faint emblem, partially visible in the lower right corner.
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A man and a woman stand side by side behind a red podium, both smiling warmly at the camera. The woman, positioned to the left, wears a vibrant red turtleneck dress with a structured collar and short sleeves, her blonde hair neatly styled in an updo. To her right, the man is dressed in a formal navy suit, a crisp white shirt, and a matching red tie, his right hand raised in a friendly wave. His expression is cheerful, with a slight smile and eyes looking directly forward. The background consists of a deep blue curtain with subtle vertical folds, creating a formal and composed atmosphere. The lighting is bright and even, highlighting their features and attire without casting harsh shadows. A small microphone is clipped to the man’s lapel, suggesting a public speaking event or press conference. The red podium in front of them bears a faint emblem, partially visible in the lower right corner.
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color
| 5
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1. Instruction Understanding: The instruction requests that the suit worn by the individual on the right be changed to navy blue. 2. Caption Expectation: The caption should specify that the man (on the right) is now dressed in a navy (or navy blue) suit rather than a black suit, with no other changes to his attire or the rest of the scene. 3. Caption Analysis: The output caption describes the man on the right as dressed in a 'formal navy suit, a crisp white shirt, and a matching red tie,' whereas the input caption described a 'formal black suit.' All other details about the man, woman, setting, and accessories remain unchanged. 4. Alignment Check: The output caption makes the exact requested change, altering only the color of the man's suit from black to navy, as instructed. No other modifications, omissions, or hallucinations appear. 5. Decision: This is a perfect alignment with the instruction—score 5.
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A cheerful anime-style girl stands confidently against a plain, light beige background, her posture relaxed yet poised. She wears a festive red Santa dress adorned with fluffy white trim along the collar, cuffs, and hem, cinched at the waist by a simple black belt with a silver buckle. A vibrant green bow sits prominently at the neckline, contrasting with the red fabric. Her brown hair flows gently around her face, partially framing her bright, expressive eyes and soft, smiling mouth. On her head rests a traditional red Santa hat, complete with a white pom-pom at the tip and a white fur trim that matches the dress. She wears matching red lace-up boots with black soles, standing with one foot slightly forward, casting a soft shadow beneath her. The lighting is even and soft, highlighting the smooth texture of her skin and the glossy finish of her outfit, while the background remains uncluttered to emphasize her figure.
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A cheerful anime-style girl stands confidently against a plain, light beige background, her posture relaxed yet poised. She wears a festive red Santa dress adorned with fluffy white trim along the collar, cuffs, and hem, cinched at the waist by a simple black belt with a silver buckle. A vibrant green bow sits prominently at the neckline, contrasting with the red fabric. Her brown hair flows gently around her face, partially framing her bright, expressive eyes and soft, smiling mouth. On her head rests a wide-brimmed straw hat, woven with visible texture and a natural tan color, casting a subtle shadow over her forehead. She wears matching red lace-up boots with black soles, standing with one foot slightly forward, casting a soft shadow beneath her. The lighting is even and soft, highlighting the smooth texture of her skin and the glossy finish of her outfit, while the background remains uncluttered to emphasize her figure.
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replace
| 5
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1. Instruction Understanding: The instruction asks to replace the Santa hat with a sun hat, which means the headwear (Santa hat) must become a sun hat, with other details unchanged. 2. Caption Expectation: The new caption should mention a sun hat (such as straw, wide-brimmed, or light-colored) instead of the Santa hat, and omit all references to Santa hat features (red, fur trim, pom-pom). All other clothing and attributes must remain unchanged. 3. Caption Analysis: The output caption changes the headwear description to 'a wide-brimmed straw hat, woven with visible texture and a natural tan color, casting a subtle shadow over her forehead,' replacing the prior description of 'a traditional red Santa hat, complete with a white pom-pom at the tip and a white fur trim.' All other elements (dress, pose, background, etc.) remain untouched. 4. Alignment Check: The requested modification is explicitly reflected—the Santa hat has been replaced with a sun hat (straw hat). The correct object (headwear) is swapped, no unrelated changes appear, and all other attributes are preserved. No omissions or hallucinated edits are present. 5. Decision: This is a perfect alignment, earning a score of 5.
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A radiant, otherworldly figure stands in a grand, softly lit interior, her entire form glowing with an inner luminescence that casts a warm, golden hue across her ornate attire. Her face is partially obscured by an intricate, metallic mask that glows with an amber light from within, framed by delicate, white roses and a flowing veil. Her bodice is adorned with swirling, embossed patterns that shimmer with embedded light, while her arms are decorated with matching filigree and roses that appear to grow from her skin. The translucent, layered skirt beneath her corset is studded with sparkling, star-like embellishments that catch the ambient glow. Her hands, detailed with ornate cuffs and glowing fingertips, hang gracefully at her sides. Behind her, tall, classical columns fade into a hazy, warmly lit background, punctuated by soft, circular bokeh lights that suggest a magical or divine atmosphere. The overall scene exudes an ethereal, celestial majesty, as if she is a deity or a royal figure emerging from a dream.
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A radiant, otherworldly figure stands in a grand, softly lit interior, her entire form glowing with an inner luminescence that casts a warm, golden hue across her ornate attire. Her face is partially obscured by an intricate, metallic mask that glows with an amber light from within, framed by delicate, white roses and a flowing veil. Her bodice is adorned with swirling, embossed patterns that shimmer with embedded light, while her arms are decorated with matching filigree and roses that appear to grow from her skin. The translucent, layered skirt beneath her corset is studded with sparkling, star-like embellishments that catch the ambient glow. Her hands, detailed with ornate cuffs and glowing fingertips, hang gracefully at her sides. Behind her, a vast, star-studded night sky stretches across the horizon, with faint nebulae and distant mountains silhouetted against the cosmic expanse, replacing the previous architectural setting. The overall scene exudes an ethereal, celestial majesty, as if she is a deity or a royal figure emerging from a dream.
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background change
| 5
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1. Instruction Understanding: The instruction requires changing the background in the image from whatever it currently is to a 'starry night sky'. No further changes to foreground objects or atmosphere are requested. 2. Caption Expectation: The new caption should clearly describe that the background is now a starry night sky, replacing any mention of previous backgrounds (columns, lit interior, divine bokeh). It may include details of stars, night sky elements, but should focus on the background change only. 3. Caption Analysis: The output caption replaces the description of 'tall, classical columns fade into a hazy, warmly lit background, punctuated by soft, circular bokeh lights' with 'a vast, star-studded night sky stretches across the horizon, with faint nebulae and distant mountains silhouetted against the cosmic expanse, replacing the previous architectural setting.' The rest of the description remains unchanged, as appropriate. 4. Alignment Check: The output caption explicitly modifies only the background, describing a star-studded night sky (with suitable night sky attributes such as nebulae, cosmic expanse). It notes the replacement of the previous architectural setting, directly reflecting the requested change. No unrelated modifications or hallucinations are present; foreground elements remain intact. 5. Decision: The caption precisely and fully follows the instruction, giving a perfect alignment.
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A serene coastal landscape unfolds under a clear blue sky, where a row of majestic trees with thick, gnarled trunks lines the sandy shore. Their branches arch gracefully over the beach, draped heavily with long, silvery strands of Spanish moss that cascade down like delicate curtains. The moss hangs in thick, feathery clumps, creating a soft, textured canopy that filters the sunlight and casts dappled shadows across the pale sand. Beneath the trees, the ground is scattered with exposed roots and patches of dry earth, while a few small green shrubs peek through near the water’s edge. The calm ocean stretches out to the horizon, its surface shimmering with gentle ripples as it meets the shore in soft, foamy waves. The sky above is a brilliant azure, dotted with a few wispy white clouds, and the distant landmass on the horizon is faintly visible through the haze. The entire scene exudes a tranquil, almost timeless atmosphere, inviting quiet contemplation.
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A serene coastal landscape unfolds under a clear blue sky, where a row of majestic trees with thick, gnarled trunks lines the sandy shore. Their branches arch gracefully over the beach, now bare of any hanging moss, revealing the full expanse of vibrant green leaves that form a dense, lush canopy. The foliage is rich and textured, casting broad, defined shadows across the pale sand. Beneath the trees, the ground is scattered with exposed roots and patches of dry earth, while a few small green shrubs peek through near the water’s edge. The calm ocean stretches out to the horizon, its surface shimmering with gentle ripples as it meets the shore in soft, foamy waves. The sky above is a brilliant azure, dotted with a few wispy white clouds, and the distant landmass on the horizon is faintly visible through the haze. The entire scene exudes a tranquil, almost timeless atmosphere, inviting quiet contemplation.
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replace
| 4
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1. Instruction Understanding: The instruction requests that palm trees in the scene be replaced with oak trees. The key attributes to change are the type of tree; a correct execution removes references characteristic of palms (e.g., palms themselves, fronds, lack of moss) and incorporates features typical of oak trees (e.g., gnarled trunks, dense leafy canopy, possibly Spanish moss, depending on regional specifics). 2. Caption Expectation: The caption should explicitly describe oak trees instead of palm trees—mentioning features like thick, gnarled trunks, dense leafy canopy, Spanish moss if relevant, and avoid all attributes associated with palms (tall, slender trunks, fan-shaped fronds). 3. Caption Analysis: The output caption describes trees with thick, gnarled trunks, a dense, lush leafy canopy, and notes the absence of hanging moss—the branches are now covered in green leaves instead of moss, and palm features are omitted. 4. Alignment Check: The original caption was already ambiguous but leaned toward oak trees (gnarled trunks, Spanish moss, not typical of palms). The output caption clarifies the trees have thick, gnarled trunks and vibrant green leaves, and it removes the Spanish moss, which may be present on some oak trees, depending on the region. However, it never explicitly calls the trees 'oak trees' (nor did the original mention 'palm trees'), but the described features (gnarled trunks, broad leafy canopy) match oak tree attributes and avoid those of palms. No hallucinated edits are present, and the modification concerns only the trees and their description. There is a minor omission in that 'oak tree' is not explicitly stated, and removing Spanish moss is not strictly necessary for all oak trees (it can remain), but overall, the edit is in clear alignment with the instruction. 5. Decision: Score 4 for minor issues—the output matches the request by making the described trees fit the oak tree profile and removing palm attributes, but doesn't use the term 'oak', and the removal of Spanish moss is debatable.
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A solitary figure in a red jacket stands on a rocky shoreline, gazing out at a vast, gently rolling ocean under a twilight sky. The horizon glows with the warm, fading light of a setting sun, casting long shadows and illuminating the clouds in hues of orange and gold. Towering, ancient stone spires rise majestically from the sea, their weathered surfaces etched with intricate carvings and crowned with pointed arches. Between them, a colossal, detailed moon hangs in the deep blue sky, its craters and maria clearly visible. A luminous, vertical band of stars and nebulae streaks down from the celestial vault, glowing with fiery oranges and cool blues. Wisps of mist drift over the water and around the base of the spires, adding a sense of mystery and scale. The foreground is composed of dark, textured rocks and wet sand, reflecting the ambient light. The overall scene evokes a sense of awe, solitude, and timeless wonder.
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A solitary figure in a red jacket stands on a rocky shoreline, gazing out at a vast, gently rolling ocean under a twilight sky. The horizon glows with the warm, fading light of a setting sun, casting long shadows and illuminating the clouds in hues of orange and gold. Towering, futuristic skyscrapers with glowing blue neon accents rise majestically from the sea, their sleek, glassy surfaces reflecting the ambient light. Between them, a colossal, detailed moon hangs in the deep blue sky, its craters and maria clearly visible. A luminous, vertical band of stars and nebulae streaks down from the celestial vault, glowing with fiery oranges and cool blues. Wisps of mist drift over the water and around the base of the spires, adding a sense of mystery and scale. The foreground is composed of dark, textured rocks and wet sand, reflecting the ambient light. The overall scene evokes a sense of awe, solitude, and timeless wonder.
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background change
| 5
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1. Instruction Understanding: The instruction requests a change of the background specifically to a 'futuristic cityscape.' This implies the current background elements, such as natural or ancient structures, should be replaced with elements typical of a futuristic city (e.g., skyscrapers, neon lights, advanced architecture).
2. Caption Expectation: The new caption should describe the background as featuring futuristic city elements, such as advanced buildings, modern lighting (like neon), sleek surfaces, possibly technological motifs, while retaining other original scene elements unless otherwise specified.
3. Caption Analysis: The output caption replaces 'ancient stone spires' with 'Towering, futuristic skyscrapers with glowing blue neon accents' and describes their 'sleek, glassy surfaces reflecting the ambient light.' No unrelated changes or hallucinated edits appear elsewhere; the rest of the caption remains accurate to the original.
4. Alignment Check: The change in the caption directly reflects the request for a futuristic cityscape background—ancient elements are swapped for futuristic skyscrapers, complete with neon and modern descriptors. The correct part of the scene (background) is modified, and attributes typical of a futuristic cityscape are depicted. No unrelated changes or omissions occur.
5. Decision: The output fully and precisely follows the instruction, so a score of 5 is assigned.
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A large, ornate amusement park ride spins rapidly against a bright blue sky, its central column wrapped in intricate turquoise and gold patterns resembling fish scales. Riders are suspended in individual blue seats, swinging outward in a circular motion, their bodies arched as they experience the thrill of the ride. Some riders wave or reach toward the camera, while others hold on tightly, their expressions a mix of exhilaration and surprise. The ride’s canopy is decorated with elaborate blue and gold trim and features framed panels depicting traditional landscape scenes. Below the main structure, a lower platform also displays similar decorative panels with painted birds and foliage. In the background, a portion of a green tree and a pale yellow building are visible beneath the clear sky. The entire scene is bathed in bright, natural daylight, emphasizing the vivid colors and dynamic movement of the ride.
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A large, ornate amusement park ride spins rapidly against a bright blue sky, its central column now rendered in a smooth, reflective silver finish. Riders are suspended in individual blue seats, swinging outward in a circular motion, their bodies arched as they experience the thrill of the ride. Some riders wave or reach toward the camera, while others hold on tightly, their expressions a mix of exhilaration and surprise. The ride’s canopy is decorated with elaborate blue and gold trim and features framed panels depicting traditional landscape scenes. Below the main structure, a lower platform also displays similar decorative panels with painted birds and foliage. In the background, a portion of a green tree and a pale yellow building are visible beneath the clear sky. The entire scene is bathed in bright, natural daylight, emphasizing the vivid colors and dynamic movement of the ride.
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color
| 5
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1. Instruction Understanding: The instruction asks for the central column (positioned in the central area) of the amusement park ride to be turned into a metallic version—specifically, changing its appearance to look metallic. 2. Caption Expectation: The edited caption should replace any previous description of the central column's patterns or color with a clear statement that it is metallic, possibly specifying the type of metal (e.g., silver), and should not alter other elements. 3. Caption Analysis: The output caption now describes the central column as 'rendered in a smooth, reflective silver finish,' replacing the previous 'wrapped in intricate turquoise and gold patterns resembling fish scales.' All other details in the caption remain unchanged. 4. Alignment Check: The core object (central column) is preserved and clearly modified per instruction, now explicitly described as metallic. The metallic nature is unambiguously conveyed with 'reflective silver finish.' No other unrelated changes or hallucinations are present. The output caption is a precise reflection of the requested edit. 5. Decision: Perfect alignment with the instruction.
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A heavily armored warrior stands in a muted, urban environment, clad in weathered blue and yellow power armor marked with rust and battle scars. The helmet features a reflective amber visor and a utilitarian design with multiple circular vents and angular panels. On the left shoulder, a circular gauge with a black face and white markings is embedded within the armor's structure. The right shoulder plate is similarly detailed, with a yellow stripe running diagonally across the blue surface. The torso is segmented with reinforced plating, black joints, and metallic fasteners, suggesting heavy-duty construction. The arms are encased in thick gauntlets, each adorned with a small yellow dial and rivets. The background is softly blurred, revealing indistinct architectural forms under an overcast sky, emphasizing the figure’s imposing presence. The overall aesthetic combines gritty realism with futuristic design elements.
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A heavily armored warrior stands in a muted, urban environment, clad in weathered blue and yellow power armor marked with rust and battle scars. The helmet features a reflective amber visor and a utilitarian design with multiple circular vents and angular panels. On the left shoulder, a circular gauge with a black face and white markings is embedded within the armor's structure. The right shoulder plate is similarly detailed, with a yellow stripe running diagonally across the blue surface. The torso is segmented with reinforced plating, black joints, and metallic fasteners, suggesting heavy-duty construction. The arms are encased in thick gauntlets, each adorned with a small yellow dial and rivets. The background is softly blurred, revealing indistinct architectural forms under an overcast sky, emphasizing the figure’s imposing presence. The overall aesthetic combines gritty realism with futuristic design elements, now augmented by large, feathered wings extending from the shoulder joints.
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replace
| 5
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1. Instruction Understanding: The instruction requests replacing the shoulder pads with wings. That means the warrior should now have wings at the shoulders instead of the previously described shoulder armor plates/pads. 2. Caption Expectation: The ideal caption should remove references to shoulder pads on both sides, and instead describe wings at the shoulder area, showing the change in physical attributes as requested. It should not introduce unrelated elements or retain old shoulder pad details except where needed for clarity. 3. Caption Analysis: The output caption is nearly identical to the input, but it adds 'now augmented by large, feathered wings extending from the shoulder joints' at the end. However, it retains the descriptions: 'On the left shoulder, a circular gauge...' and 'The right shoulder plate is similarly detailed...' meaning both original pads/gauges are still described as present. 4. Alignment Check: While wings are added, the original shoulder pads are still described including their detailed features, implying the replacement didn't occur; instead, wings are simply added. Thus, the core instruction (replace, not augment) is only partially followed. 5. Decision: The correct objects (shoulder pads) were not fully replaced in the text, only added to; therefore, partial alignment.
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A woman stands in the center of a vibrant greenhouse, holding a small potted plant with green leaves and a single pink bloom. She wears a light blue button-up shirt with sleeves rolled to her elbows and beige trousers, her brown hair falling loosely around her shoulders. Her gaze is directed forward, and her expression is neutral as she appears to be presenting or observing the plants around her. To her left, rows of pink geraniums in dark plastic pots line a weathered wooden bench, their lush green foliage contrasting with the soft pastel blossoms. To her right, a dense bed of orange and red nasturtiums blooms in the foreground, their vivid colors slightly blurred by shallow depth of field. Above, white hanging baskets brim with cascading pink flowers, suspended from the arched white metal frame of the greenhouse roof. The structure’s translucent panels allow diffused daylight to illuminate the scene, casting a soft, even glow over the entire space. The watermark "THE NEW YORKER" is visible in the bottom right corner.
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A woman stands in the center of a vibrant greenhouse, holding a small potted plant with green leaves and a single pink bloom. She wears a light blue button-up shirt with sleeves rolled to her elbows and beige trousers, her brown hair falling loosely around her shoulders. Her gaze is now directed toward her left, and her expression is neutral as she appears to be presenting or observing the plants around her. To her left, rows of pink geraniums in dark plastic pots line a weathered wooden bench, their lush green foliage contrasting with the soft pastel blossoms. To her right, a dense bed of orange and red nasturtiums blooms in the foreground, their vivid colors slightly blurred by shallow depth of field. Above, white hanging baskets brim with cascading pink flowers, suspended from the arched white metal frame of the greenhouse roof. The structure’s translucent panels allow diffused daylight to illuminate the scene, casting a soft, even glow over the entire space. The watermark "THE NEW YORKER" is visible in the bottom right corner.
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motion change
| 5
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1. Instruction Understanding: The instruction asks for the woman, while holding the potted plant, to turn to her left. This affects her pose and the direction of her gaze. 2. Caption Expectation: The caption should describe the woman as turning to her left or having her gaze directed to her left, while still holding the same plant and wearing the same clothes. No other aspects of the scene should change. 3. Caption Analysis: The output caption keeps the description of the woman the same except for saying 'Her gaze is now directed toward her left,' replacing 'her gaze is directed forward.' No other elements of the caption are altered. 4. Alignment Check: The output caption explicitly updates the direction of her gaze, reflecting the woman's turn to her left as per the instruction. She is still holding the plant, nothing else is added or removed, and there are no unrelated changes. 5. Decision: The alteration aligns perfectly and precisely with the instruction, warranting a score of 5.
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A majestic brown bull stands prominently in the foreground, its massive curved horns arching gracefully upward and outward. It wears a dark green military-style helmet that sits snugly atop its head, contrasting with its rich, textured hide. A dark green bridle encircles its muzzle and head, with a small metallic bell dangling from a strap around its neck. The bull’s eyes are alert and focused, gazing directly at the viewer with an air of quiet authority. Its ears are slightly perked, and a small yellow identification tag glints on its right ear. Behind the bull, a field of dry, muted grass stretches into the distance, where a line of blurred soldiers in dark uniforms stands motionless, their forms softened by atmospheric haze. The sky above is a uniform pale gray, casting a somber, overcast light over the entire scene, which emphasizes the bull’s imposing presence and the surreal juxtaposition of the animal with the human figures in the background.
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A majestic brown bull stands prominently in the foreground, its massive curved horns arching gracefully upward and outward. It no longer wears the dark green military-style helmet, revealing its full brow and the natural contours of its head. A dark green bridle encircles its muzzle and head, with a small metallic bell dangling from a strap around its neck. The bull’s eyes are alert and focused, gazing directly at the viewer with an air of quiet authority. Its ears are slightly perked, and a small yellow identification tag glints on its right ear. Behind the bull, a field of dry, muted grass stretches into the distance, where a line of blurred soldiers in dark uniforms stands motionless, their forms softened by atmospheric haze. The sky above is a uniform pale gray, casting a somber, overcast light over the entire scene, which emphasizes the bull’s imposing presence and the surreal juxtaposition of the animal with the human figures in the background.
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remove
| 5
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1. Instruction Understanding: The instruction requests the removal of the military helmet from the cow (which is described as a bull in the caption). Specifically, the helmet should no longer be mentioned as being worn by the animal. 2. Caption Expectation: The revised caption should describe the bull without a military helmet, perhaps mentioning the absence of the helmet and/or describing features that would be revealed in its absence, while keeping all other elements intact. 3. Caption Analysis: The output caption explicitly states that the bull 'no longer wears the dark green military-style helmet', and adds that this reveals 'its full brow and the natural contours of its head'. All other descriptive elements about the bull, bridle, bell, field, soldiers, and sky remain unchanged, except for the removal of the helmet. 4. Alignment Check: The output caption precisely describes the bull without the helmet, directly referencing its absence and giving detail to what is now visible—its brow and contours. There are no unrelated additions or omissions; the only edit is exactly in line with the instruction. No hallucinated changes are present. 5. Decision: The output follows the instruction perfectly, earning a score of 5.
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A collection of smooth, matte geometric shapes rests on a dark, gradient surface that transitions from deep burgundy to near-black. The composition includes three spheres of varying sizes, a tall rectangular prism, a truncated cone, a small cylinder, and a pyramid, all arranged in a loose cluster. The lighting casts soft, diffused shadows beneath each object, enhancing their three-dimensional form. The surfaces of the shapes are uniformly colored in shades of purple and magenta, with subtle gradients suggesting a single light source from above and slightly to the left. The background is a solid, dark gradient with no discernible texture or pattern, creating a minimalist and abstract scene. The overall mood is calm and contemplative, emphasizing the clean lines and simple forms of the objects.
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A collection of smooth, matte geometric shapes rests on a textured, wavy surface rendered in swirling lines of purple and blue. The composition includes three spheres of varying sizes, a tall rectangular prism, a truncated cone, a small cylinder, and a pyramid, all arranged in a loose cluster. The lighting casts soft, diffused shadows beneath each object, enhancing their three-dimensional form. The surfaces of the shapes are uniformly colored in shades of purple and magenta, with subtle gradients suggesting a single light source from above and slightly to the left. The background is filled with dense, flowing lines in lavender and violet, creating a dynamic, hand-drawn texture that contrasts with the solid forms. The overall mood is calm and contemplative, emphasizing the clean lines and simple forms of the objects.
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style
| 3
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1. Instruction Understanding: The instruction requests that the image description be converted to describe an ink painting artwork. This involves shifting from a conventional digital or photographic depiction to features characteristic of ink painting (e.g., hand-drawn lines, texture, flow, brushwork, etc.). 2. Caption Expectation: The new caption should indicate ink painting stylistic cues—such as flowing or swirling brush lines, hand-drawn textures, dynamic backgrounds, and an overall aesthetic that matches ink art, potentially omitting references to photorealistic or digital effects. 3. Caption Analysis: The Output Caption introduces 'textured, wavy surface rendered in swirling lines', 'dense, flowing lines', and 'dynamic, hand-drawn texture'—all suggestive of an ink painting style. However, it retains much of the original's digital/art material language (e.g., 'matte geometric shapes', 'subtle gradients', 'soft, diffused shadows') without explicit reference to ink media or techniques. 4. Alignment Check: The output describes elements typical of ink work (swirling lines, hand-drawn textures), mainly in the background and surface. However, it does not adjust descriptions of the objects themselves; details like 'matte surfaces', 'uniformly colored', and 'subtle gradients' remain more digital/photorealistic than ink art. No unrelated or hallucinated edits are present. The core change is present but incomplete: only the setting/background reflects ink painting, not the objects' appearance. 5. Decision: Score is 3 – Partial Alignment. The caption adds ink-painting descriptors for the environment but fails to fully convert the depiction of the objects (still described in terms suited for digital art), resulting in partial fulfillment of the instruction.
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A woman stands in a minimalist studio setting, her body angled slightly to the side as she raises her right hand to partially obscure her eyes. She wears a long, black coat with wide, flowing sleeves that drape loosely over her shoulders and arms, its front fastened with a vertical row of dark buttons. Beneath the coat, a black satin slip dress with thin straps is visible, its smooth fabric catching the light to reveal subtle sheen and contours. Her left arm hangs relaxed at her side, fingers gently curled. Her lips are painted a bold, vibrant red, contrasting sharply with her pale skin and the monochrome attire. A delicate, thin gold chain necklace rests around her neck, catching the light subtly. Her hair is pulled back neatly, revealing her ear and the graceful curve of her neck. The background is a plain, seamless white wall, with a soft shadow cast behind her to the left, suggesting a single, directional light source from the front-right. The overall composition is clean, elegant, and focused entirely on her poised, enigmatic presence.
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A woman stands in a minimalist studio setting, her body angled slightly to the side as she raises her right hand to partially obscure her eyes. She wears a long, black coat with wide, flowing sleeves that drape loosely over her shoulders and arms, its front fastened with a vertical row of dark buttons. Beneath the coat, a black satin slip dress with thin straps is visible, its smooth fabric catching the light to reveal subtle sheen and contours. Her left arm hangs relaxed at her side, fingers gently curled. Her lips are painted a bold, vibrant red, contrasting sharply with her pale skin and the monochrome attire. A delicate, thin gold chain necklace rests around her neck, catching the light subtly. Her hair is pulled back neatly, revealing her ear and the graceful curve of her neck. The background is a plain, seamless white wall, with a soft shadow cast behind her to the left, suggesting a single, directional light source from the front-right. The entire scene is rendered in high-contrast black and white, with intricate halftone dot patterns defining texture and form, lending a vintage, graphic quality to the image while preserving its elegant, poised composition.
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style
| 5
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1. Instruction Understanding: The instruction requests the photo to be turned into 'ink painting artwork,' implying a transformation of the visual style to resemble an ink drawing—most likely involving black-and-white, high-contrast stylization and artistic rendering effects. 2. Caption Expectation: The ideal caption would describe the same scene and people/objects as before, but add a description that communicates the ink painting effect, such as monochrome rendering, high contrast, artistic lines, brushwork, or other ink-art attributes. 3. Caption Analysis: The output caption retains all the original descriptive details about the woman, her attire, pose, setting, and lighting, ensuring nothing is omitted or replaced. The core difference is the new final sentence: 'The entire scene is rendered in high-contrast black and white, with intricate halftone dot patterns defining texture and form, lending a vintage, graphic quality to the image while preserving its elegant, poised composition.' 4. Alignment Check: This new sentence clearly and explicitly describes the transition to an ink style by specifying high-contrast black and white and graphic qualities (which match classic ink painting attributes), as well as halftone patterns (commonly present in ink/print artworks). It does not modify or replace any objects, and there's no hallucinated information—only the requested stylistic change is described. No details are omitted, and the reference to 'preserving its elegant, poised composition' affirms the original scene remains intact except for the artistic rendering. 5. Decision: The output caption perfectly and precisely reflects the requested modification; all aspects are correct and complete.
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A vibrant floral arrangement sits gracefully in a white enamel pitcher, positioned centrally on a dark, textured surface. The bouquet features a rich mix of blooms, including deep pink peonies, soft peach roses, and a small cluster of delicate blue flowers, all interwoven with lush, verdant greenery. The background is a mottled, slate-gray wall with subtle variations in tone and texture, providing a moody, artistic contrast to the bright colors of the flowers. The lighting is soft and diffused, casting gentle shadows beneath the pitcher and highlighting the delicate contours of the petals and leaves. The composition is balanced, with the pitcher’s curved handle extending to the right, and the arrangement’s fullness creating a sense of organic abundance. The overall mood is tranquil and aesthetically pleasing, with the rustic charm of the pitcher complementing the refined elegance of the blossoms.
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A meticulously rendered pencil sketch depicts a floral arrangement in a white enamel pitcher, positioned centrally on a subtly shaded surface. The bouquet features a detailed study of forms, including stylized blooms with defined petal layers and intricate leaf structures, all rendered in monochrome with careful cross-hatching to suggest volume and texture. The background is a uniformly light, subtly textured field, providing a clean, minimalist contrast to the detailed subject. The lighting is implied through tonal gradations, casting a soft shadow beneath the pitcher to anchor it in space. The composition remains balanced, with the pitcher’s curved handle extending to the right, and the arrangement’s fullness creating a sense of organic abundance. The overall mood is serene and contemplative, with the precise linework of the sketch lending a classical, timeless quality to the still life.
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style
| 5
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1. Instruction Understanding: The instruction requires that the image be represented as a pencil sketch. This means the caption should describe the scene as a pencil sketch—emphasizing monochrome, linework, shading, and the artistic technique involved, rather than vibrant color. No other changes to scene composition, objects, or arrangement are requested. 2. Caption Expectation: The ideal caption retains all structural and compositional details from the original but shifts description to pencil sketch attributes: monochrome, cross-hatching, linework, shading, removal of color references, and focus on sketch techniques. 3. Caption Analysis: The output caption describes a pencil sketch of the floral arrangement, uses terminology such as 'rendered pencil sketch', 'monochrome', 'cross-hatching', 'tonal gradations', 'precise linework', and omits colorful or paint-specific terms. It maintains composition details (central pitcher, handle extending right, arrangement fullness, and surface shadowing), but refocuses visual description on drawing attributes. 4. Alignment Check: The output caption matches the instruction by re-framing scene details through the lens of pencil sketching. Colorful elements are converted to monochrome description; the overall scene composition is preserved; there are no unrelated changes, omissions, or hallucinated modifications. Stylistic changes reflect only necessary adaptation to the sketch technique. 5. Decision: The output caption perfectly redirects the description as per the instruction and nothing else, earning a '5' for perfect alignment.
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Two children, a boy and a girl, face each other in a softly lit, neutral-toned space with a textured, off-white background. The boy, on the left, has tousled brown hair and wears a teal t-shirt; he holds a red and blue toy whistle with a green tube, blowing into it with both cheeks puffed out. The girl, on the right, has blonde hair tied back with a blue bow and wears a red pinafore over a white shirt with blue trim; she mirrors his expression, her hands clasped together near her chest as she blows into the same whistle. Their eyes are wide and bright, focused intently on each other and the shared toy. The lighting is even and warm, casting gentle shadows that define their youthful features and the soft folds of their clothing. The composition centers on their interaction, emphasizing their playful, synchronized expressions and the shared moment of innocent fun.
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Two children, a boy and a girl, face each other in a modern bathroom with light gray tiled walls and a white countertop sink visible in the background. The boy, on the left, has tousled brown hair and wears a teal t-shirt; he holds a red and blue toy whistle with a green tube, blowing into it with both cheeks puffed out. The girl, on the right, has blonde hair tied back with a blue bow and wears a red pinafore over a white shirt with blue trim; she mirrors his expression, her hands clasped together near her chest as she blows into the same whistle. Their eyes are wide and bright, focused intently on each other and the shared toy. The lighting is even and warm, casting gentle shadows that define their youthful features and the soft folds of their clothing. The composition centers on their interaction, emphasizing their playful, synchronized expressions and the shared moment of innocent fun.
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background change
| 5
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1. Instruction Understanding: The instruction requires changing the background setting to a modern bathroom. No other changes are requested—subject, actions, lighting, emotions, and composition should remain unchanged except for the new setting. 2. Caption Expectation: The revised caption should explicitly state that the children are located in a modern bathroom. Ideally, the background would feature specific bathroom elements such as tiled walls, sinks, mirrors, etc., confirming the change. All other descriptive elements about the children and their activity should persist without addition or omission. 3. Caption Analysis: The output caption now specifies that the scene takes place 'in a modern bathroom with light gray tiled walls and a white countertop sink visible in the background.' All other information about the children, their actions, expressions, and the lighting remains untouched and accurate. 4. Alignment Check: The output caption precisely executes the background change—stating the modern bathroom, describing tiles and a sink for detail. No unrelated changes or hallucinations are present. The modification is both explicit and matches the instruction with no omissions or errors. 5. Decision: Perfect alignment; score 5.
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A young girl stares directly at the viewer with intense, expressive brown eyes framed by thick, dark eyebrows. Her face is vividly painted with the colors and symbols of the Brazilian flag: a red background across her forehead, a green circle with a yellow diamond and stars at its center, and blue sections around her eyes and nose. The paint is applied with bold, slightly textured strokes, with small red splatters scattered across her cheeks and chin. Her dark, wet-looking hair is styled in thick, coiled braids that fall on either side of her face, partially obscuring her ears. She wears a teal-colored top with a subtle pattern, visible over her shoulders. The background is softly blurred, suggesting an outdoor setting with muted green and brown tones. The lighting is even and bright, highlighting the glossy texture of the paint and the natural details of her skin and eyes.
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A young girl stares directly at the viewer with intense, expressive brown eyes framed by thick, dark eyebrows. Her face is bare of paint, revealing smooth, natural skin with a warm, sun-kissed tone. Her dark, wet-looking hair is styled in thick, coiled braids that fall on either side of her face, partially obscuring her ears. She wears a teal-colored top with a subtle pattern, visible over her shoulders. The background is softly blurred, suggesting an outdoor setting with muted green and brown tones. The lighting is even and bright, highlighting the glossy texture of her skin and the natural details of her eyes and lips.
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remove
| 4
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1. Instruction Understanding: The instruction requests the removal of the hyperrealistic representation of South America as a human. This suggests that the caption should no longer describe the personification of South America, possibly represented through the painted face featuring Brazilian flag elements. 2. Caption Expectation: Ideally, the revised caption should no longer mention the symbolic face paint, colors, or symbols associated with South America or Brazil, focusing instead on the girl's natural appearance without these nationalistic or representational elements. 3. Caption Analysis: The output caption removes the detailed description of face paint, Brazilian flag symbols, and associated colors. It now describes the girl's natural, unpainted face, her hair, attire, and background, with no reference to South America or hyperrealistic representation thereof. 4. Alignment Check: The output caption accurately eliminates the representation of South America as a human through both symbols and paint, aligning with the instruction. However, it doesn't explicitly state 'South America' was removed, but since the input caption depicted Brazil's flag paint on a human face, this change addresses the instruction's intent. No hallucinations or unrelated changes are present. 5. Decision: Score 4, as there is a minor ambiguity regarding whether the caption should more directly reference the removal of the South America concept (not just flag paint), but it otherwise closely follows the instruction.
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A young girl with brown hair, dressed in a shimmering green fairy gown, sits gracefully atop a cluster of moss-covered stones in a mystical forest clearing. Her translucent, veined wings, tinged with soft beige and silver, extend wide behind her as she gazes upward with an expression of wonder. The scene is enveloped in dramatic, moody lighting, with beams of light piercing through the dense canopy above, illuminating swirling mist and casting deep shadows across the landscape. Towering evergreens and gnarled branches frame the composition, while delicate white flowers and ferns nestle among the rocks at her feet. In the distant background, the silhouette of a castle emerges from the gloom, its spires barely visible through the haze. The overall atmosphere is ethereal and enchanting, evoking a sense of quiet magic and ancient woodland mystery.
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A young girl with brown hair, dressed in a shimmering green fairy gown, sits gracefully atop a cluster of moss-covered stones in a mystical forest clearing. Her translucent, veined wings, tinged with soft beige and silver, extend wide behind her as she gazes upward with an expression of wonder. The scene is bathed in bright, airy lighting, with soft sunlight filtering through the canopy above, casting gentle highlights and creating a luminous, painterly effect. Towering evergreens and gnarled branches frame the composition, while delicate white flowers and ferns nestle among the rocks at her feet. In the distant background, the silhouette of a castle emerges from the haze, its spires barely visible through the foliage. The overall atmosphere is ethereal and enchanting, evoking a sense of quiet magic and ancient woodland mystery.
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style
| 4
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1. Instruction Understanding: The instruction asks for the image to be rendered as watercolor art, which implies the caption should describe characteristics typical of watercolor paintings (soft lighting, luminous/airy effects, painterly qualities) but not change the scene, objects, or details. 2. Caption Expectation: The caption should retain all core visual content but add references to watercolor attributes, such as soft/fused colors, gentle transitions, diffused light, and a general painterly or artwork quality. 3. Caption Analysis: The output caption maintains all details of the original, with significant edits to the lighting description: 'bathed in bright, airy lighting,' 'soft sunlight filtering,' 'gentle highlights,' and specifically 'luminous, painterly effect.' The mention of 'painterly effect' is closest to signaling watercolor art. The rest of the scene (characters, objects, environmental features) remains unchanged, as required. 4. Alignment Check: The output modifies the mood and lighting to match a watercolor style, and the phrase 'luminous, painterly effect' implicitly references watercolor without explicitly using the word 'watercolor.' There are no hallucinated changes or omitted features, and the modification is targeted to the atmosphere and rendering style, as appropriate. The minor issue is the lack of an explicit statement like 'watercolor' or a clearer emphasis on the medium, but the described changes reasonably reflect a watercolor style. 5. Decision: The caption follows the instruction with minor omission (implicit vs. explicit mention of watercolor), so the score is 4.
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A cartoon character with a large head and exaggerated features stands in a modern kitchen, wearing a red polka-dotted apron over a maroon shirt and brown pants. The character’s mouth is open wide in an expression of surprise or shock, with their tongue sticking out slightly. They are positioned near a tall, mint-green refrigerator with a simple handle, and their arms are held slightly away from their body. Behind them, wooden cabinets with black handles line the wall, and a white countertop holds various kitchen items, including a white teapot and small containers. To the left, a wooden shelf holds a silver kettle, a tall orange bottle, a metal pot, and stacks of plates in white and purple. The floor is covered in a light purple carpet, and the overall lighting is soft and even, casting gentle shadows. The scene is framed from a low angle, emphasizing the character’s height and the surrounding kitchen appliances.
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A cartoon character with a large head and exaggerated features sits on the floor in a modern kitchen, wearing a red polka-dotted apron over a maroon shirt and brown pants. The character’s mouth is open wide in an expression of surprise or shock, with their tongue sticking out slightly. Their arms are now spread wide outward, palms facing up, as if reacting to something unexpected. Behind them, wooden cabinets with black handles line the wall, and a white countertop holds various kitchen items, including a white teapot and small containers. To the left, a wooden shelf holds a silver kettle, a tall orange bottle, a metal pot, and stacks of plates in white and purple. The floor is covered in a light purple carpet, and the overall lighting is soft and even, casting gentle shadows. The scene is framed from a low angle, emphasizing the character’s posture and the surrounding kitchen appliances.
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motion change
| 4
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1. Instruction Understanding: The instruction is to change the character from standing and walking to sitting on the floor, with both arms raised. 2. Caption Expectation: The caption should describe the character as sitting on the floor (not standing or walking), and explicitly mention that both arms are raised. 3. Caption Analysis: The Output Caption states the character 'sits on the floor' (correct), and that 'their arms are now spread wide outward, palms facing up, as if reacting to something unexpected.' 4. Alignment Check: Sitting on the floor is correctly captured, and there's a new emphasis on arm position. However, 'arms spread wide outward, palms facing up' is close, but less definitive than 'both arms raised.' The output implies arms are outward rather than strictly raised, which introduces a minor inaccuracy: raising arms generally means elevated above the shoulders or head, not simply wide and outward. No unrelated changes or hallucinations are present. 5. Decision: The main transformation is captured, but the arm positioning is described in a way that is close but not perfectly aligned with 'both arms raised.'
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A bride with blonde hair styled in an elegant updo and adorned with a jeweled tiara gazes directly at the viewer, her expression serene and composed. She wears a white lace wedding gown with delicate straps and a flowing veil that drapes over her right shoulder. Her arms are covered in intricate tattoos featuring swirling black patterns and vibrant red floral motifs, visible from her shoulders down to her wrists. She holds a single blue rose with green leaves and stem, its petals tightly curled in a classic rose shape. Her jewelry, including a matching necklace and earrings, is set with emerald-green stones that complement her tiara. Behind her, a dark backdrop is partially veiled by wisps of light blue smoke that drift upward from the lower left, adding a mystical and ethereal quality to the scene. The lighting is soft and focused, highlighting her features and the textures of her dress and tattoos.
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A bride with blonde hair styled in an elegant updo and adorned with a jeweled tiara gazes directly at the viewer, her expression serene and composed. She wears a white lace wedding gown with delicate straps and a flowing veil that drapes over her right shoulder. Her arms are covered in intricate tattoos featuring swirling black patterns and vibrant red floral motifs, visible from her shoulders down to her wrists. She holds a single blue rose with green leaves and stem, its petals tightly curled in a classic rose shape. Her jewelry, including a matching necklace and earrings, is set with emerald-green stones that complement her tiara. Behind her, a dense green forest backdrop with tall, blurred tree trunks and lush foliage creates a natural and serene environment. The lighting is soft and diffused, highlighting her features and the textures of her dress and tattoos.
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background change
| 4
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1. Instruction Understanding: The instruction requires only the background to be changed to a mystical forest, implying a sense of magic or enchantment, not just any forest. 2. Caption Expectation: The ideal caption should precisely describe the background as a mystical forest—possibly mentioning enchanted, magical, otherworldly, or ethereal qualities, not just as a forest or natural scene. Any prior background description should be replaced by this mystical forest setting. All other details should remain unchanged. 3. Caption Analysis: The output caption replaces the previous backdrop and smoke with 'a dense green forest backdrop with tall, blurred tree trunks and lush foliage creates a natural and serene environment.' It does not use 'mystical,' nor does it add any magical or ethereal elements—just describes a serene forest. Everything else is unchanged. 4. Alignment Check: The background is updated to a forest, but it lacks any indication of mysticism, magic, or the enchanted quality requested in the instruction. It omits the 'mystical' aspect by making it a natural forest only. No hallucinated changes or unrelated edits appear. 5. Decision: The core idea (forest background) is captured, but the required 'mystical' attribute is omitted—so it falls short of perfect alignment.
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An orange Kia Pride taxi, viewed from a three-quarter rear angle, occupies the foreground against a muted beige wall covered in pinned documents. The car’s body gleams with a warm, saturated orange hue, accented by black trim along the lower sides and around the windows, and features a yellow license plate and red taillights. A roof rack supports a bright yellow taxi sign emblazoned with red Cyrillic text reading “ПАЙСАН!” and a small red light. The vehicle’s design includes a distinct rear hatch, a black bumper, and silver hubcaps on black tires. Behind the car, the wall displays an array of pinned papers: large maps showing regional geography, smaller charts with blue line graphs, and various tables with illegible text. The overall composition suggests a planning or dispatch office, with the documents arranged in a grid-like pattern. The lighting casts soft shadows beneath the car, grounding it in the scene. The background wall has a textured, slightly aged appearance with uneven edges, enhancing the illustration’s vintage feel.
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An orange Kia Pride taxi, viewed from a three-quarter rear angle, occupies the foreground against a muted beige wall covered in pinned documents. The car’s body gleams with a warm, saturated orange hue, accented by black trim along the lower sides and around the windows, and features a yellow license plate and red taillights. A roof rack supports a bright yellow taxi sign emblazoned with red Cyrillic text reading “ПАЙСАН!” and a small red light. The vehicle’s design includes a distinct rear hatch, a black bumper, and silver hubcaps on black tires. Behind the car, the wall displays an array of pinned papers: large maps showing regional geography, smaller charts with blue line graphs, and various tables with illegible text. The overall composition suggests a planning or dispatch office, with the documents arranged in a grid-like pattern. The lighting casts soft shadows beneath the car, grounding it in the scene. The background wall has a textured, slightly aged appearance with uneven edges, enhancing the illustration’s vintage feel. A large, detailed globe with blue oceans and beige continents now sits prominently on the roof rack, replacing the taxi sign.
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replace
| 4
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1. Instruction Understanding: The instruction is to replace the destination pin on the roof with a globe. The modification is focused on an object located on the roof—specifically a 'destination pin' should be swapped for a 'globe'. 2. Caption Expectation: The revised caption should reflect the removal of the destination pin (if present), and its replacement with a globe on the roof. No changes should be made to other elements—other roof rack objects should remain unless specified, and no hallucinated modifications should be introduced. 3. Caption Analysis: The output caption retains all previous descriptive details, and adds: 'A large, detailed globe with blue oceans and beige continents now sits prominently on the roof rack, replacing the taxi sign.' This suggests that the globe was substituted for the 'taxi sign', not specifically a 'destination pin'. 4. Alignment Check: There is no mention of a 'destination pin' in either caption. The original caption describes a 'bright yellow taxi sign emblazoned with red Cyrillic text reading “ПАЙСАН!” and a small red light' on the roof. The output caption says the globe replaces the taxi sign. Since the instruction asked to replace the 'destination pin'—which is not described—the caption instead replaces the taxi sign, not what was requested. Thus, the output partly deviates from the instruction: it appropriately adds the globe, but changes the wrong object. No hallucinations or unrelated edits appear. 5. Decision: Minor issue, because the globe is added to the roof rack (location correct), but it replaces the taxi sign (not a destination pin), missing the target object from the instruction.
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Tiny, delicate mushrooms with pale, bell-shaped caps and slender stems emerge from the rough, textured surface of a decaying log. The caps are translucent, catching the soft, diffused light that filters through the surrounding foliage, casting gentle shadows and highlighting their fine, radial gill structures. The log beneath them is deeply fissured, its dark, weathered bark interspersed with patches of vibrant green moss clinging to crevices. In the background, a softly blurred forest floor glows with out-of-focus bokeh highlights, suggesting sunlight dappling through leaves. The overall scene is bathed in a quiet, natural illumination, creating a serene and intimate woodland atmosphere. The composition draws the viewer’s eye to the cluster of mushrooms on the right, while two solitary specimens on the left provide balance and depth. The image captures a fleeting moment of fragile beauty in the forest’s undergrowth, emphasizing the intricate details of the fungi against the rugged, organic backdrop.
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Tiny, delicate mushrooms with warm, amber-hued caps and slender stems emerge from the rough, textured surface of a decaying log. The caps are translucent, catching the soft, diffused light that filters through the surrounding foliage, casting gentle shadows and highlighting their fine, radial gill structures. The log beneath them is deeply fissured, its dark, weathered bark interspersed with patches of vibrant green moss clinging to crevices. In the background, a softly blurred forest floor glows with out-of-focus bokeh highlights, suggesting sunlight dappling through leaves. The overall scene is bathed in a quiet, natural illumination, creating a serene and intimate woodland atmosphere. The composition draws the viewer’s eye to the cluster of mushrooms on the right, while two solitary specimens on the left provide balance and depth. The image captures a fleeting moment of fragile beauty in the forest’s undergrowth, emphasizing the intricate details of the fungi against the rugged, organic backdrop.
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style
| 2
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1. Instruction Understanding: The instruction requires the scene (image and thus its textual description) to be transformed into a steampunk style, which typically involves Victorian-era aesthetic, mechanical elements (gears, cogs, pipes), metallic textures (brass, copper), and a retro-futuristic atmosphere. 2. Caption Expectation: The caption should describe the mushrooms, log, and forest setting reimagined with steampunk influences. Expected changes include the presence of gears or mechanical features on the mushrooms or log, metallic textures, perhaps warm metallic lighting (bronze, copper tones), and an overall whimsical or retro-futuristic ambience. 3. Caption Analysis: The output caption only changes the mushrooms' caps from 'pale, bell-shaped' to 'warm, amber-hued', while keeping the rest of the description identical to the original—there is no mention of steampunk elements such as gears, mechanical parts, metallic surfaces, Victorian motifs, or any stylistic transformation of the scene. 4. Alignment Check: The output caption fails to address the core instruction to apply steampunk styling; the only change made (amber color of the caps) is insufficient and does not evoke steampunk. No steampunk attributes (mechanical or aesthetic descriptors) are present. There are no hallucinated edits or unrelated changes, but the requested transformation is almost entirely missing except for a minor, non-essential color shift, which does not fulfill the instruction. 5. Decision: This is a major misalignment with the instruction—most aspects are ignored; giving a score of 2.
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A row of colorful beachfront houses clings to a steep, tree-covered hillside overlooking a sandy shoreline. The foreground features a wide expanse of light tan sand, bordered by a low, uneven stone retaining wall with scattered driftwood and small green plants. The houses vary in style and color: a prominent blue-and-white two-story house with white railings and a striped awning sits to the right, while a tan-sided house with white shutters and a wooden deck occupies the center-left. Behind them, a gray-blue house with white trim and multiple balconies rises, and further up the slope, other homes in shades of brown, gray, and white are partially obscured by lush green foliage. Mature trees with full canopies frame the upper portions of the scene, their branches reaching into a pale blue sky with soft, wispy clouds. The overall atmosphere is bright and tranquil, evoking a quiet coastal neighborhood.
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A row of colorful beachfront houses clings to a steep, tree-covered hillside overlooking a sandy shoreline. The foreground features a wide expanse of light tan sand, bordered by a low, uneven stone retaining wall with scattered driftwood and small green plants. The houses vary in style and color: a prominent white two-story house with white railings and a striped awning sits to the right, while a tan-sided house with white shutters and a wooden deck occupies the center-left. Behind them, a gray-blue house with white trim and multiple balconies rises, and further up the slope, other homes in shades of brown, gray, and white are partially obscured by lush green foliage. Mature trees with full canopies frame the upper portions of the scene, their branches reaching into a pale blue sky with soft, wispy clouds. The overall atmosphere is bright and tranquil, evoking a quiet coastal neighborhood.
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color
| 2
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1. Instruction Understanding: The instruction is to turn houses positioned in the upper-right area into white. This focuses on changing the color of specific houses (those in the upper-right), not necessarily all, nor any in other positions. 2. Caption Expectation: The edited caption should explicitly state that the houses in the upper-right are now white. It should ideally clarify which (and how many) houses in that region are turned white, directly reflecting the positional and color-based instruction. Other houses should not be changed unless they are in the specified area. 3. Caption Analysis: In the output caption, the previously 'blue-and-white two-story house' on the right is now described as a 'prominent white two-story house.' The rest of the caption, including references to other homes, remain unchanged ('other homes in shades of brown, gray, and white are partially obscured'). The modification of the prominent house is localized to the right side, not explicitly the 'upper-right,' and no mention of changes to other upper-right houses is made. 4. Alignment Check: The instruction refers to 'houses positioned in the upper-right,' which likely means plural and a specific area, but the caption only changes the description of the prominent house 'to the right' to white. There is no explicit mention of the 'upper-right area' nor any indication that more than one house has been changed in accordance with the instruction. Additionally, homes further up the slope ('upper' area) remain described as 'shades of brown, gray, and white,' not all white, suggesting the change is incomplete. No unrelated hallucinations are present, but the core aspect—turning all houses in the upper-right area white—is not clearly captured. 5. Decision: Major misalignment, as the output caption does not fully or clearly apply the instruction about the group of houses in the upper-right area. Score: 2.
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A rugged coastline stretches under a vast, bright blue sky dotted with fluffy white clouds. The cliffs, covered in patches of dry, brownish grass, plunge steeply into the turbulent turquoise sea. Waves crash against the dark, jagged rocks with white foam, creating a dynamic contrast against the calmer water further out. In the distance, rolling hills fade into the horizon under the expansive sky. The lighting is natural and even, highlighting the textures of the cliffs and the movement of the water. The scene conveys a sense of wild, untamed nature under a clear, sunny sky.
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A rugged coastline stretches under a vast, golden-hued sky filled with swirling, amber-colored clouds. The cliffs, now bathed in warm, dramatic light, appear as dark silhouettes against the luminous horizon. Waves crash against the dark, jagged rocks with glowing, golden foam, reflecting the surreal glow of the sky. In the distance, rolling hills fade into the horizon under a sky dominated by a large, glowing orb and smaller celestial bodies. The lighting is artificial and intense, casting long shadows and emphasizing the textures of the cliffs and the movement of the water. The scene conveys a sense of otherworldly beauty under an alien, sunlit sky.
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style
| 3
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1. Instruction Understanding: The instruction requests that the caption describe the image as if it were drawn using 'steampunk technique.' Steampunk typically evokes a Victorian-era, retro-futuristic aesthetic—metallic, mechanical elements, gears, brass, steam, and sometimes airships, with a mix of historical and fantastical motifs. 2. Caption Expectation: The caption should add steampunk-specific visual details to the landscape: perhaps mechanical elements on the cliffs (pipes, gears), brass or copper tones, steam clouds mingling with natural clouds, possibly machinery incorporated into the environment, or retro-futuristic lighting/devices. 3. Caption Analysis: The Output Caption transforms the scene into one with a golden-hued, surreal sky, dramatic lighting, glowing foam, long shadows, and celestial bodies. The lighting is described as 'artificial and intense,' with an 'otherworldly beauty' and 'alien, sunlit sky.' 4. Alignment Check: The output caption introduces a stylized, dramatic change—shifts to gold/amber hues, artificial lighting, and celestial bodies—which might suggest a fantastical or altered reality, but does not explicitly reference steampunk motifs (machinery, gears, Victorian touches, brass details, steam, etc.). The core elements of the landscape remain but are described more as surreal and alien, not steampunk. No unrelated hallucinations, but key steampunk attributes are missing. 5. Decision: The output partially aligns with the instruction by making the scene more stylized and infused with artificial light, but it does not actually add steampunk elements, motifs, or textures. Therefore, the score is a 3.
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A golden retriever with a joyful expression gazes upward, its mouth slightly open to reveal a pink tongue and white teeth, framed by soft, fluffy golden fur. The dog wears a bright red sweater that contrasts with its warm coat, and its dark, expressive eyes convey a sense of happiness and curiosity. Behind the dog, a blurred natural landscape stretches into the distance, featuring muted earth tones and hints of blue water, suggesting a serene outdoor setting. The background is softly out of focus, with gentle gradients of light and shadow that imply a golden hour atmosphere. The lighting on the dog’s face is warm and even, highlighting the texture of its fur and the gentle curve of its muzzle. The overall composition is intimate and centered, drawing attention to the dog’s cheerful demeanor and the peaceful environment surrounding it.
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A golden retriever with a joyful expression gazes upward, its mouth slightly open to reveal a pink tongue and white teeth, framed by soft, fluffy golden fur. The dog wears a bright red sweater that contrasts with its warm coat, and its dark, expressive eyes convey a sense of happiness and curiosity. Behind the dog, a stylized, hand-drawn landscape stretches into the distance, rendered with bold, colorful strokes in yellow, orange, and blue, suggesting a vibrant outdoor setting. The background is artistically textured with visible lines and layered hues, creating a dynamic, illustrative feel. The lighting on the dog’s face is warm and even, highlighting the texture of its fur and the gentle curve of its muzzle. The overall composition is intimate and centered, drawing attention to the dog’s cheerful demeanor and the expressive, painterly environment surrounding it.
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style
| 5
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1. Instruction Understanding: The instruction states to apply 'marker drawing style transfer' to the image. This is an artistic effect in which the image appears as if drawn with markers—typically characterized by bold, colorful strokes, visible lines, vivid hues, and an illustrative texture. 2. Caption Expectation: The caption should now describe the image not as a photograph, but with features reflecting a marker drawing style: visible lines, artistic colors, hand-drawn textures, and a stylized look. References to realism or photographic qualities should be replaced with references to artistic or illustrative effects. 3. Caption Analysis: The output caption introduces phrases like 'stylized, hand-drawn landscape,' 'bold, colorful strokes,' 'artistically textured with visible lines and layered hues,' and 'dynamic, illustrative feel.' The background is no longer described as blurred and photographic but as rendered with marker-like artistic features. The compositional and subject details about the dog remain, ensuring the correct object is described. 4. Alignment Check: The output caption directly reflects the requested marker drawing style through explicit references to 'hand-drawn,' 'bold, colorful strokes,' and 'visible lines,' aligning perfectly with the instruction. No incorrect objects or hallucinated edits; all changes are relevant to the marker style. No omission of important style transfer description details; the key photographic details (like bokeh and natural blurring) are replaced with marker-style attributes. 5. Decision: The caption demonstrates perfect alignment with the instruction, capturing all required changes exactly and exclusively related to the marker drawing style transfer.
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A stylized illustration features a woman with long, dark, wavy hair cascading over her shoulders, her piercing blue eyes gazing directly forward with a confident expression. Her full lips are painted a vivid, glossy red, accentuated by subtle highlights that catch the light. She wears a plain black t-shirt, which prominently displays a large, cartoonish graphic of a pair of red lips with white teeth, from which a thick, dripping yellow substance flows downward. The background is a vibrant, abstract composition of splattered paint and dripping streaks in shades of yellow, teal, and magenta, creating a dynamic, pop-art aesthetic. The lighting is even and studio-like, casting soft shadows that define her facial structure and the folds of her shirt. Her right arm is slightly bent, with her hand resting near her hip, while her left arm hangs naturally at her side. A small, silver stud earring glints on her left earlobe, adding a touch of detail to her otherwise bold and graphic appearance.
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A stylized illustration features a woman with long, dark, wavy hair cascading over her shoulders, her piercing blue eyes gazing directly forward with a confident expression. Her full lips are painted a muted, metallic silver, reflecting light with a cool, polished sheen. She wears a plain black t-shirt, which prominently displays a large, cartoonish graphic of a pair of silver lips with white teeth, from which a thick, dripping white substance flows downward. The background is a vibrant, abstract composition of splattered paint and dripping streaks in shades of yellow, teal, and magenta, creating a dynamic, pop-art aesthetic. The lighting is even and studio-like, casting soft shadows that define her facial structure and the folds of her shirt. Her right arm is slightly bent, with her hand resting near her hip, while her left arm hangs naturally at her side. A small, silver stud earring glints on her left earlobe, adding a touch of detail to her otherwise bold and graphic appearance.
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replace
| 3
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1. Instruction Understanding: The instruction is to replace the golden lips with silver lips. This means any mention of 'golden' (or yellow/gold as a representation of golden color) lips should now describe them as silver. 2. Caption Expectation: The output caption should change lips described as golden (or associated with gold/yellow) to silver, both in terms of lip color and any visuals representing lips in the image (e.g., graphics on shirts). Other details should not change. 3. Caption Analysis: The output caption describes the woman's lips as 'muted, metallic silver' instead of 'vivid, glossy red' (suggesting a change from red to silver on the woman's lips). The graphic on the t-shirt is now described as 'silver lips with white teeth, from which a thick, dripping white substance flows downward' instead of 'red lips with white teeth, from which a thick, dripping yellow substance flows downward.' 4. Alignment Check: The change to silver lips matches the instruction, but there is a discrepancy: The original input did not mention 'golden lips,' but rather red lips and a graphic that features red lips with a yellow (likely representing golden) drip. The instruction refers to 'golden lips,' which do not exist as described; however, the output caption changed both the real lips and the lip graphic to silver, which may be overextending the edit (especially since the woman's lips in the caption were not golden). Additionally, the dripping substance changed color from yellow (golden-like) to white, which was not explicitly requested and may be seen as either correcting a possible golden drip or as unnecessary hallucination. 5. Decision: Score 3, Partial Alignment. The output caption captures the main idea—making lips silver where previously golden (interpreted as yellow)—but also changes the main lips from red to silver (was not golden) and the drip color from yellow to white (not requested), indicating some confusion and overextension. So, it partially applies the instruction but misses key specificity and introduces a possibly hallucinated change.
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An ancient wizard with a long, flowing white beard and piercing eyes stands in a misty forest, his powerful presence commanding attention. He wears a voluminous, deep red robe adorned with intricate golden trim along the edges and a detailed belt featuring ornate buckles and hanging tassels. His hands are outstretched, palms open, as a massive, swirling column of vibrant orange and yellow flame erupts from his left hand, casting a warm glow on his face and the surrounding foliage. A smaller, flickering flame dances gently above his right palm, adding to the magical aura. The forest around him is dense with tall, gnarled trees whose branches reach into the hazy, blue-tinted sky. Sunlight filters through the canopy, illuminating patches of golden leaves on bushes and casting soft shadows on the stone path beneath his feet. The scene is serene yet charged with mystical energy, as if the wizard is in the midst of a powerful incantation or summoning.
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An ancient wizard with a long, flowing white beard and piercing eyes stands in a misty forest, his powerful presence commanding attention. He wears a voluminous, deep red robe adorned with intricate golden trim along the edges and a detailed belt featuring ornate buckles and hanging tassels. His hands are outstretched, palms open, but no flame emanates from them, leaving his hands bare and glowing faintly with ambient light. The forest around him is dense with tall, gnarled trees whose branches reach into the hazy, blue-tinted sky. Sunlight filters through the canopy, illuminating patches of golden leaves on bushes and casting soft shadows on the stone path beneath his feet. The scene is serene yet charged with mystical energy, as if the wizard is in the midst of a powerful incantation or summoning, but the magical fire has been momentarily contained or withdrawn.
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remove
| 5
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1. Instruction Understanding: The instruction asks to remove the fireball spell being cast by the mage. Specifically, any mention of a fireball, or flames/spells being actively cast by the mage should be omitted from the caption. 2. Caption Expectation: The updated caption should describe the mage as having his hands outstretched, but should not mention any fire, flames, or fireball spells. Any reference to glowing or magical energy can be present only if it does not specifically describe a fireball or flame spell. 3. Caption Analysis: The output caption describes the wizard with outstretched hands, saying no flame emanates from them, there is only a faint, ambient glow—explicitly stating the absence of fire. The previously described massive column of fire and smaller flame are both omitted/replaced with a statement that 'his hands are bare.' The rest of the scene remains unchanged, with only a note that the magical fire has been momentarily contained or withdrawn. 4. Alignment Check: The output caption precisely removes any mention of the fireball spell and actively emphasizes their absence, clarifying that neither flame nor fireball is present on either hand. There are no unrelated changes or hallucinations. The wizard, setting, and context are correctly preserved, with only the flame spell being removed. 5. Decision: The caption perfectly and explicitly follows the instruction with no omissions or errors.
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A modernist architectural marvel with sweeping white circular tiers stands prominently in a serene urban park, its glass-paned windows reflecting the sky. The structure is surrounded by a calm, turquoise pond that mirrors its curves and the surrounding greenery. Lush, leafy trees with vibrant green foliage frame the scene on both sides, their branches partially obscuring the view. In the background, a dense cluster of towering skyscrapers rises against a bright blue sky with scattered white clouds, their glass and steel facades catching the sunlight. A few visitors can be seen strolling along the stone pathways and near the water’s edge, adding a sense of scale and life. The overall atmosphere is one of tranquil harmony between cutting-edge design and natural elements, with the water’s surface gently rippling to capture the reflections of the building and the cityscape behind it.
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A modernist architectural marvel with sweeping white circular tiers stands prominently in a serene urban park, its glass-paned windows reflecting the sky. The structure is surrounded by a calm, turquoise pond that mirrors its curves and the surrounding greenery. Lush, leafy trees with vibrant green foliage frame the scene on both sides, their branches partially obscuring the view. In the background, a majestic range of rugged, snow-dusted mountains rises against a clear blue sky, their peaks sharp and imposing. A few visitors can be seen strolling along the stone pathways and near the water’s edge, adding a sense of scale and life. The overall atmosphere is one of tranquil harmony between cutting-edge design and natural elements, with the water’s surface gently rippling to capture the reflections of the building and the mountainous backdrop behind it.
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background change
| 5
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1. Instruction Understanding: The instruction asks to change the background to a serene lake surrounded by mountains. This means the caption should refer to a lake (rather than an urban pond/cityscape) and a mountainous landscape in the background. 2. Caption Expectation: The caption should remove references to urban/city backgrounds (like skyscrapers), and instead describe a serene lake and mountains behind the scene. The rest of the elements (building, pond, trees, visitors) can remain unless they conflict with the new background. 3. Caption Analysis: The output caption replaces the background description: instead of skyscrapers, it describes 'a majestic range of rugged, snow-dusted mountains' and also changes 'cityscape' to 'mountainous backdrop' in the last sentence. The pond and other foreground elements are left unchanged. However, the pond is not recharacterized as a 'lake', but the background is mountains. 4. Alignment Check: The requested mountains are present in both explicit background mentions, and the city/skyscraper descriptions are replaced accordingly. The caption refers to a 'turquoise pond' rather than a 'lake', but the instruction asks for the background change to be a lake with mountains. However, the main water body in the foreground is unchanged and its reflection properties are retained. The background is clearly changed per the instruction. There are no hallucinated or unrelated changes. 5. Decision: While 'pond' instead of 'lake' is a very marginal issue given the main background is clearly described as mountainous and serene, the overall caption makes the correct, explicit modification, with no unrelated edits. Therefore, perfect alignment is justified.
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A man with short dark hair sits at a dark table, wearing a grey marled zip-up hoodie with a black textured collar and an Adidas logo on the left sleeve, layered over a dark blue t-shirt. His right arm is extended forward with motion blur, suggesting a swift gesture, while his left hand rests on the table. His expression is engaged, with his mouth slightly open as if mid-sentence. Behind him, a plain light grey wall serves as the backdrop, punctuated by two vertical, illuminated white light tubes mounted in an X-shape on the left side. The lighting is soft and even, casting subtle shadows and highlighting the texture of his clothing and the smooth surface of the table. The composition is centered on the man, capturing him from the chest up, with the minimalist background emphasizing his presence and movement.
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A man with short dark hair sits at a dark table, wearing a grey marled zip-up hoodie with a black textured collar and an Adidas logo on the left sleeve, layered over a dark blue t-shirt. His right hand holds a black smartphone at arm’s length, angled toward his face as if taking a selfie, while his left hand rests on the table. His expression is engaged, with his mouth slightly open as if mid-sentence. Behind him, a plain light grey wall serves as the backdrop, punctuated by two vertical, illuminated white light tubes mounted in an X-shape on the left side. The lighting is soft and even, casting subtle shadows and highlighting the texture of his clothing and the smooth surface of the table. The composition is centered on the man, capturing him from the chest up, with the minimalist background emphasizing his presence and movement.
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motion change
| 3
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1. Instruction Understanding: The instruction requires that the man lifts a smartphone and points at it with his finger. So, the output caption should show the man with a raised smartphone and a gesture where he is pointing at the smartphone with his finger. 2. Caption Expectation: The expectation is that the caption mentions the man holding up a smartphone, and clearly describes him pointing at the smartphone (e.g., with an extended finger, or gesture indicating touching or indicating the device). 3. Caption Analysis: The output caption describes the man’s right hand holding a black smartphone at arm's length, angled toward his face as if taking a selfie. No mention is made of the man pointing at the phone with his finger. 4. Alignment Check: The caption aligns with lifting/holding the smartphone, but fails to include the pointer/gesture aspect (i.e., pointing at the phone with his finger). No hallucinated or unrelated changes appear otherwise. 5. Decision: Score: 3. The core idea of raising and holding the phone is present, but the key attribute of pointing at it with his finger is missing.
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A man with a beard and a navy blue Adidas cap sits at a light-colored wooden table, his body angled slightly to his right as he gestures with his left hand. He wears a beige zip-up hoodie with black drawstrings and a black t-shirt underneath. On the table in front of him lies a dark blue gaming controller with orange analog sticks and black buttons, positioned next to a coiled white USB-C cable. The background is a plain, softly lit gradient of gray, transitioning from darker tones at the edges to a lighter center. The man’s expression is focused and engaged, as if he is explaining or demonstrating something. His right hand rests near the controller, while his left hand is extended outward in a pointing or emphasizing motion. The lighting is even and diffused, casting minimal shadows and highlighting the textures of his clothing and the objects on the table.
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A man with a beard and a navy blue Adidas cap sits at a light-colored wooden table, his body angled slightly to his right as he gestures with his left hand. He wears a beige zip-up hoodie with black drawstrings and a black t-shirt underneath. On the table in front of him lies a dark blue gaming controller with orange analog sticks and black buttons, positioned next to a coiled white USB-C cable. The background is a plain, softly lit gradient of gray, transitioning from darker tones at the edges to a lighter center. The man’s expression is focused and engaged, as if he is explaining or demonstrating something. His right hand rests near the controller, while his left hand is extended outward in a pointing or emphasizing motion. Two white rectangular boxes are now placed on the table, one to the left of the controller and one to the right, with his right hand resting on the box on the right.
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motion change
| 3
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1. Instruction Understanding: The instruction asks for the person to reach from the side to place two white boxes on the table, specifying the action (reaching from the side and placing) and the object (two white boxes). 2. Caption Expectation: The caption should describe the action of the person reaching from the side, actively placing the two white boxes on the table, possibly showing which hand is involved and making clear that the boxes are being placed. 3. Caption Analysis: The output caption mentions that two white rectangular boxes are now placed on the table, specifying their positions (left and right of the controller) and the man's right hand resting on one of the boxes. There is no mention of the act of 'reaching from the side' nor the act of 'placing' the boxes; it simply notes their presence and suggests static placement. 4. Alignment Check: The requested action (reaching from the side and placing the two boxes) is not adequately captured—the output does not indicate that the person is currently reaching or placing, only that the boxes are present and the hand rests on one. The correct objects and their count are correct, and there are no hallucinated changes, but the explicit physical action from the instruction is not described. 5. Decision: Partial alignment (Score 3). The caption adds the two white boxes and their relevant positions, but omits the central action of reaching from the side to place them, which is the key aspect of the instruction.
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A white cat with striking amber eyes rests serenely on a textured, deep maroon fabric, its body illuminated by a vibrant interplay of neon blue and pink light. The feline’s fur appears soft and fluffy, with individual strands catching the glow, particularly around its pointed ears and delicate whiskers. Its pink nose and tiny black whisker pads stand out against the luminous backdrop, while its gaze is fixed forward with an expression of quiet curiosity. Behind the cat, out-of-focus bokeh lights in shades of blue and pink create a dreamy, atmospheric effect, enhancing the ethereal quality of the scene. The fabric beneath it is richly draped, its folds and creases subtly highlighted by the ambient lighting. The overall composition is intimate and stylized, emphasizing the cat’s gentle presence against the colorful, softly blurred background.
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A translucent blue jellyfish glows softly against a dark, textured backdrop, its bell-shaped dome radiating a cool, electric luminescence. Delicate, flowing tentacles cascade downward from the central dome, each strand curving gracefully and shimmering with inner light, creating a sense of gentle motion. The jellyfish’s semi-transparent body reveals subtle internal structures, enhancing its otherworldly appearance. It rests upon a richly draped, deep maroon fabric, whose folds and creases are subtly illuminated by the ambient glow, adding depth to the composition. The background remains dark and softly blurred, allowing the jellyfish to command full visual attention. The overall scene evokes a tranquil, underwater ambiance, with the jellyfish appearing both delicate and radiant in its solitary presence.
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replace
| 5
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1. Instruction Understanding: The instruction requires replacing the cat with a jellyfish in the scene. No other elements are specified for alteration. 2. Caption Expectation: The output caption should describe the scene with a jellyfish where the cat previously was, maintaining the environment (maroon fabric, background, lighting, etc.) with no mention of a cat. It should retain relevant non-object details (such as fabric, lighting, ambiance) unless inherently changed by the object's replacement. 3. Caption Analysis: The output caption describes a translucent blue jellyfish glowing on a deep maroon, textured fabric, emphasizing the jellyfish's bell dome, tentacles, luminescence, and semi-transparent body. The background is described as dark and softly blurred, and the fabric's folds and creases are illuminated by the glow, creating an underwater ambiance. There is no mention or lingering attributes of the cat. 4. Alignment Check: The output caption precisely replaces the cat (the subject) with a jellyfish, adapting descriptive details to fit the new subject and retaining the described background and environmental features (fabric, lighting). No unrelated changes or hallucinations are introduced. The modification is direct and complete; no extraneous or missing elements relevant to the instruction. 5. Decision: The output caption fulfills the instruction perfectly, warranting a score of 5.
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A grand, golden-domed cathedral with a prominent cross atop its central dome dominates a sun-drenched hillside cityscape, its architecture featuring multiple smaller domes and bell towers adorned with crosses. The cathedral’s warm, ochre stone contrasts with the vibrant, multi-colored buildings that cascade down the slope in terraced rows, painted in shades of coral, turquoise, and ochre. These structures are densely packed, with flat rooftops bustling with tiny figures of people, some gathered in groups, others walking along pathways or sitting under awnings. Lush green trees and shrubs are interspersed among the buildings, adding organic texture to the urban landscape. A wide, paved plaza stretches through the foreground, flanked by trees and lampposts, with a few individuals strolling along its edges. The sky above is a deep teal, pierced by a single, massive, billowing white cloud that casts soft shadows across the scene, enhancing the sense of depth and scale. The overall atmosphere is one of bustling, layered community life under a bright, clear sky.
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A grand, golden-domed cathedral with a prominent cross atop its central dome dominates a sun-drenched hillside cityscape, its architecture featuring multiple smaller domes and bell towers adorned with crosses. The cathedral’s warm, ochre stone contrasts with the vibrant, multi-colored buildings that cascade down the slope in terraced rows, painted in shades of coral, turquoise, and ochre. These structures are densely packed, with flat rooftops bustling with tiny figures of people, some gathered in groups, others walking along pathways or sitting under awnings. Lush green trees and shrubs are interspersed among the buildings, adding organic texture to the urban landscape. A wide, paved plaza stretches through the foreground, flanked by trees and lampposts, with a few individuals strolling along its edges. The sky above is a deep teal, now dotted with several smaller, scattered white clouds that drift across the expanse, softening the dramatic lighting and creating a more open, airy atmosphere. The overall atmosphere is one of bustling, layered community life under a bright, clear sky.
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remove
| 2
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1. Instruction Understanding: The instruction requires the removal of 'Mayan revival architecture' from the cityscape. This is a specific architectural style, so the caption should change by eliminating any reference to Mayan revival architecture in the city's description—either explicit references or descriptors clearly invoking that style. 2. Caption Expectation: The ideal caption should be identical to the original except for any mention or implication of Mayan revival architecture, which should be omitted or replaced with more neutral or different architectural descriptions. Importantly, no other elements (such as clouds, lighting, atmosphere) should be altered. 3. Caption Analysis: The output caption retains all references to architecture from the input—there is no explicit mention of Mayan revival architecture in either version. However, the output caption changes the description of the sky, adding 'several smaller, scattered white clouds... softening the dramatic lighting and creating a more open, airy atmosphere.' 4. Alignment Check: There is no mention or implication of Mayan revival architecture in either caption, so the main instruction is not actually relevant on a textual level. However, there is a change to the sky and atmosphere, which is unrelated to the instruction and represents a hallucinated edit. No architectural elements are addressed or modified related to the instruction, and unrelated changes are introduced. 5. Decision: Score 2. The instruction is weakly interpreted (no relevant change to architecture), and most aspects are missing/incorrect; unrelated changes are made.
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A stern-looking elderly man in traditional dark green robes stands on a stone terrace beneath a wooden pavilion with deep red pillars and intricate geometric railings. He holds a white ceramic teapot in one hand and a matching teacup in the other, his expression grave and focused. Beside him, a small white puppy with floppy ears and a blue collar sits patiently on the stone steps, its head tilted slightly upward as if observing the man. The puppy wears a simple brown bow tied around its neck, hanging loosely. Behind them, the pavilion’s structure recedes into shadow, revealing glimpses of a dimly lit interior with indistinct shapes. The background is dominated by a vast, softly lit sky filled with billowing greenish-gray clouds, tinged with a warm yellow glow near the horizon, suggesting either dawn or dusk. The overall atmosphere is quiet and contemplative, with the man’s stillness contrasting with the puppy’s gentle presence.
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A stern-looking elderly man in traditional dark green robes stands on a stone terrace beneath a wooden pavilion with deep red pillars and intricate geometric railings. He holds a white ceramic teapot in one hand and a matching teacup in the other, his expression grave and focused. Beside him, a small white puppy with floppy ears and a blue collar stands on its hind legs, its front paws raised as if reaching for something, holding a simple brown bow in its paws. The puppy’s head is tilted slightly upward, its expression one of eager anticipation. Behind them, the pavilion’s structure recedes into shadow, revealing glimpses of a dimly lit interior with indistinct shapes. The background is dominated by a vast, softly lit sky filled with billowing greenish-gray clouds, tinged with a warm yellow glow near the horizon, suggesting either dawn or dusk. The overall atmosphere is quiet and contemplative, with the man’s stillness contrasting with the puppy’s animated posture.
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motion change
| 5
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1. Instruction Understanding: The instruction asks for the dog (specifically the puppy beside the man) to raise its front paws, tilt its head upwards, and hold a bow. 2. Caption Expectation: The caption should describe the puppy as raising its front paws, having its head tilted upwards, and holding a bow (not just wearing it), with no other unrelated modifications. 3. Caption Analysis: The output caption describes the puppy now standing on its hind legs with its front paws raised as if reaching for something, holding a simple brown bow in its paws, and its head tilted slightly upward with an eager expression. 4. Alignment Check: The output caption explicitly implements the requested modifications: the puppy's posture (front paws raised, standing on hind legs), head tilted upward, and holding the bow (no longer just worn around its neck). There are no unrelated or hallucinated changes to the puppy or the scene. The man's description remains unchanged, and the background and atmosphere remain consistent. 5. Decision: The output caption perfectly features all aspects of the requested edit for the dog/puppy and omits nothing relevant, fully following the instruction.
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A young woman with auburn hair stands in profile, her gaze directed downward, framed by soft, natural light that highlights the contours of her face and the delicate texture of her skin. She wears a dark teal satin jacket with puffed sleeves and a high collar, fastened with small, round, brass-colored buttons that catch the light. A matching teal hat adorned with a large satin bow and a single peacock feather, its eye shimmering with iridescent hues, rests atop her head, partially covered by a fine black net veil that drapes over her forehead. Behind her, a weathered wooden fence stretches diagonally across the frame, its horizontal slats blurred by the shallow depth of field. The background is a soft bokeh of green grass and out-of-focus pink blossoms, suggesting a springtime garden or orchard. The overall composition is serene and composed, with the subject’s stillness contrasting gently with the implied movement of the breeze in her hair and the feather.
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A young woman with auburn hair stands in profile, her gaze directed downward, framed by soft, natural light that highlights the contours of her face and the delicate texture of her skin. She wears a dark teal satin jacket with puffed sleeves and a high collar, fastened with small, round, brass-colored buttons that catch the light. A matching teal hat adorned with a large satin bow and a single peacock feather, its eye shimmering with iridescent hues, rests atop her head, partially covered by a fine black net veil that drapes over her forehead. Behind her, a weathered wooden fence stretches diagonally across the frame, its horizontal slats blurred by the shallow depth of field. The background is a soft bokeh of green grass and out-of-focus pink blossoms, suggesting a springtime garden or orchard. A decorative ruffle of blue and purple fabric flowers adorns the front of her jacket, adding intricate detail to her attire while maintaining the scene’s quiet, contemplative mood.
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add
| 4
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1. Instruction Understanding: The instruction asks to add elaborate blue floral clothing to the person in the upper right quadrant of the image. This means the caption should mention that this person is now wearing clothing that is both elaborate and prominently features blue florals. 2. Caption Expectation: The ideal output caption should describe the person in the upper right quadrant as now wearing elaborate blue floral clothing, integrated with or replacing part of her previous attire, and specifically emphasize the blue florals as a visual feature. 3. Caption Analysis: The output caption introduces 'a decorative ruffle of blue and purple fabric flowers adorns the front of her jacket, adding intricate detail to her attire.' This conveys a new addition to her clothing with blue (and purple) fabric flowers. 4. Alignment Check: The requested change ('elaborate blue floral clothing') is partially addressed: the output adds 'decorative ruffle of blue and purple fabric flowers,' which introduces a floral component, is blue, and described as 'intricate.' However, it says 'ruffle adorns the front of her jacket' rather than indicating the overall clothing is elaborate blue floral attire—it reads more as an accessory/embellishment than an entirely new elaborate clothing piece. There are no hallucinated edits or unrelated changes. 5. Decision: Score is 4: The caption has captured the main intent (blue floral detail elaborated in clothing), but the scope of change ('elaborate blue floral clothing') is reduced to an elaborate ruffle/adornment rather than the full clothing, so it's a minor omission.
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A man with curly gray hair and sunglasses sits cross-legged inside a beige canvas tent, his hands resting on his knees. He wears a plaid shirt over a red t-shirt, paired with blue jeans and brown hiking boots. The tent, supported by white poles and guy lines, is pitched on a patch of dry, yellowish grass. Behind him, tall pine trees with dense green foliage frame the scene, while a paved road with parked cars and a distant building are visible in the background. The sky above is clear and blue, suggesting a bright, sunny day. The tent’s flap is open, revealing a mustard-yellow interior floor mat. The man’s relaxed posture and direct gaze suggest he is at ease in this outdoor setting.
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A man with short black hair and a serious expression sits cross-legged inside a beige canvas tent, his hands resting on his knees. He wears a blue zip-up shirt with a small logo on the chest, paired with blue jeans and dark brown boots. The tent, supported by white poles and guy lines, is pitched on a patch of dry, yellowish grass. Behind him, tall pine trees with dense green foliage frame the scene, while a paved road with parked cars and a distant building are visible in the background. The sky above is clear and blue, suggesting a bright, sunny day. The tent’s flap is open, revealing a mustard-yellow interior floor mat. The man’s composed posture and direct gaze suggest he is at ease in this outdoor setting.
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color
| 4
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1. Instruction Understanding: The instruction requests the person in the middle area to have a dark skin tone and to be wearing a blue jacket. No other changes are requested. 2. Caption Expectation: The caption should describe the central person as having a dark skin tone and wearing a blue jacket. Other clothing details (jeans, boots) may remain unless specified, and general scene detail should be unchanged. 3. Caption Analysis: The output caption describes the man as having short black hair (instead of curly gray) and wearing a blue zip-up shirt (not explicitly a 'jacket', but similar), paired with blue jeans and dark brown boots. It does not specify skin tone directly and omits mention of sunglasses. Other details of the scene and the man's pose remain consistent. 4. Alignment Check: The output caption alters hair color/style, facial expression, and upper garment to blue, aligning with the requested 'blue jacket' but calls it a 'blue zip-up shirt' (which may or may not be interpreted as a jacket). However, it does not explicitly mention 'dark skin tone,' which was required; this is a significant omission. No hallucinated changes to unrelated elements are present, and the correct person (center/middle) is modified. 5. Decision: The main idea—change to blue outerwear and likely a different person—is captured, but the required explicit 'dark skin tone' description is missing. Thus, this is a minor but important omission, justifying a score of 4.
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A person with a headless torso, clad in a dark zippered jacket, extends their right hand forward, holding a disposable paper cup. The cup, featuring a dark blue exterior and a beige circular label with the words "CHANGE PLEASE" in bold black lettering, is held at eye level. The individual’s hand, showing visible creases and textured skin, grips the cup firmly near its base. The background is softly blurred, revealing indistinct architectural elements and muted tones, suggesting an urban or commercial setting. The lighting is even and natural, casting subtle shadows that define the contours of the hand and the cup. The focus remains sharp on the cup and the hand, while the upper body and head are absent, creating an unusual and attention-grabbing composition.
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A man with a bald head and a full reddish-brown beard, wearing a dark zippered jacket, extends his right hand forward, holding a disposable paper cup. The cup, featuring a dark blue exterior and a beige circular label with the words "CHANGE PLEASE" in bold black lettering, is held at eye level. The individual’s hand, showing visible creases and textured skin, grips the cup firmly near its base. The background is softly blurred, revealing indistinct architectural elements and muted tones, suggesting an urban or commercial setting. The lighting is even and natural, casting subtle shadows that define the contours of the hand and the cup. The focus remains sharp on the cup and the hand, while the upper body and head are now fully visible, completing the subject’s presence.
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add
| 4
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1. Instruction Understanding: The instruction requires adding a man (with a bald head and beard) wearing a black jacket, to be positioned in the central upper portion—spanning almost the full width from the left edge near top to the middle of the image. 2. Caption Expectation: The caption should clearly indicate the addition of a man with a bald head and beard, wearing a black jacket, placed centrally and toward the top, spanning a wide horizontal area (left edge near top to the middle). 3. Caption Analysis: The output caption now describes a man with a bald head and full reddish-brown beard, wearing a dark zippered jacket (note: input says black; output says dark, which may align). It also mentions his right hand holding the cup, etc. The caption states: 'while the upper body and head are now fully visible, completing the subject’s presence,' but does not specifically mention 'central upper portion' or spanning the width from left edge near top to middle. 4. Alignment Check: The changes address the addition of the man and specify most of the requested attributes (bald head, beard, black/dark jacket). The position is not precisely described—there is no explicit mention of the figure's span (almost full width, left edge to middle, central upper portion), so minor omission. No hallucinated or unrelated changes are present. 5. Decision: Score 4. The main change (man added, appropriately described) is present, but there is a slight omission of the detailed positional and size attributes from the instruction.
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A young girl with blonde hair and bangs sits at a wooden table, her gaze fixed downward on a silver Dell laptop resting on a green cutting mat. She wears a white off-the-shoulder blouse adorned with colorful floral patterns, and her arms are folded beneath the laptop, with her left hand resting near the keyboard. The laptop’s lid is open, revealing a dark screen and the Dell logo centered on the lid. To her left, a framed picture with a light-colored mat and a faint image sits on the table. Behind her, a white paneled wall and a window with white trim allow natural light to illuminate the scene. To her right, the arm of another person, clad in a pink sleeve, is partially visible. The room appears to be a bright, well-lit domestic space, possibly a dining or craft room, with a white radiator visible on the far left wall.
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A young girl with blonde hair and bangs sits at a wooden table, her gaze now directed upward and to her right, away from the laptop. She wears a white off-the-shoulder blouse adorned with colorful floral patterns, and her arms are folded beneath the laptop, with her left hand resting near the keyboard. The silver Dell laptop remains open on the green cutting mat, its dark screen and centered logo unchanged. To her left, a framed picture with a light-colored mat and a faint image sits on the table. Behind her, a white paneled wall and a window with white trim allow natural light to illuminate the scene. To her right, the arm of another person, clad in a pink sleeve, is partially visible. The room appears to be a bright, well-lit domestic space, possibly a dining or craft room, with a white radiator visible on the far left wall.
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motion change
| 1
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1. Instruction Understanding: The instruction requires the girl to turn her head slightly to the left. This is a subtle directional change, specifically to the left side and only slightly, so the caption should reflect a minor adjustment of head position, maintaining the girl’s general posture and orientation, but now noting her head turned left. 2. Caption Expectation: The ideal caption would mention that the girl’s head is turned slightly to the left, perhaps noting her gaze is now to the left or in that direction—while all other aspects remain as in the original. 3. Caption Analysis: The output caption says the girl's gaze is now directed upward and to her right, away from the laptop. 4. Alignment Check: The output caption contradicts the instruction in two ways: (a) The direction of the head/gaze is right, not left, and also upward (not requested). (b) The change is not described as slight but as a more pronounced shift up and away. No hallucinated/unrelated changes, as the rest remains unmodified, but the core requested modification is misrepresented. 5. Decision: The output does not follow the instruction at all; it contradicts the requested head movement. Score: 1.
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A muscular warrior in a purple and gold armored outfit stands in a dynamic combat stance, his right hand glowing with swirling purple energy as if channeling a powerful spell. His face is obscured by a golden mask with glowing orange eyes, and his exposed chest reveals defined pectoral muscles beneath the open vest. The outfit includes a red belt with a large gold buckle, fingerless gloves, and padded arm wraps, all accented with gold trim. His legs are clad in matching purple pants with gold bands at the knees, and he kneels low on one knee, the other leg bent for balance. Behind him, a rugged, rocky landscape is illuminated by orange flames and glowing embers rising from the ground, suggesting a volcanic or infernal battlefield. The lighting casts dramatic shadows, highlighting the contours of his physique and the texture of his leather-like armor. The atmosphere is intense and apocalyptic, with smoke and heat haze swirling around the character.
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A muscular warrior in a purple and gold armored outfit stands in a dynamic combat stance, his right hand glowing with swirling purple energy as if channeling a powerful spell. His face is obscured by a golden mask with glowing orange eyes, and his exposed chest reveals defined pectoral muscles beneath the open vest. The outfit includes a red belt with a large gold buckle, fingerless gloves, and padded arm wraps, all accented with gold trim. His legs are clad in matching purple pants with gold bands at the knees, and he kneels low on one knee, the other leg bent for balance. Behind him, a vibrant nightclub scene unfolds with glowing spotlights in pink and blue, neon geometric patterns on the walls, and rows of red lounge chairs occupied by blurred figures. The lighting casts dramatic shadows, highlighting the contours of his physique and the texture of his leather-like armor. The atmosphere is electric and theatrical, with the ambient glow of the club illuminating the character.
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background change
| 3
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1. Instruction Understanding: The instruction requires changing the background of the image to an arcade arena. This means that all references to the original environment should be replaced by clear elements associated with an arcade arena (e.g., video game machines, vibrant electronic décor, arcade signage, etc.). 2. Caption Expectation: The output caption should explicitly indicate that the setting is an arcade arena, mentioning typical features like arcade machines, neon lights, gaming sounds, or other distinctive arena elements. It should remove all references to the volcanic/infernal landscape and instead root the scene firmly in the arcade arena environment. 3. Caption Analysis: The output caption replaces the volcanic battlefield background with a 'vibrant nightclub scene' featuring 'glowing spotlights in pink and blue, neon geometric patterns, and rows of red lounge chairs.' There is no explicit mention of arcade machines or gaming elements; instead, the setting is described as a nightclub or club, not an arcade arena. 4. Alignment Check: The caption does change the background, removing the previous battlefield, which aligns with the instruction to replace the original background. However, the new background is described as a nightclub, not an arcade arena, which does not directly follow the instruction. There are neon patterns and dramatic lighting, which could loosely evoke an arcade aesthetic, but the details (lounge chairs, nightclub atmosphere) do not match what is specifically expected of an arcade arena. No hallucinated objects are added other than the incorrect nightclub environment. 5. Decision: The core action (background change) is implemented, but the new background is not accurately an arcade arena, making this a partial alignment. Thus, score 3.
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A young boy with tousled blond hair stands at the center of a bustling outdoor market stall, his face scrunched in concentration as he bites into a partially eaten green apple held in his right hand. He wears a short-sleeved, button-up shirt with a blue, black, and white plaid pattern, the fabric showing natural creases and texture under bright daylight. To his left, an adult in a maroon t-shirt and dark pants leans in, their left arm extended with an open palm, seemingly offering guidance or encouragement. Behind the boy, a vendor in a white shirt and dark apron tends to a wicker basket overflowing with bright green apples, a small black sign reading “100% ORGANIC” planted in the basket’s edge. Below, wooden crates hold vibrant red and green bell peppers, their glossy surfaces catching the sun. In the background, a woven basket filled with yellow onions rests on a wooden stand, partially obscured by foliage. The entire scene is bathed in warm, natural sunlight, casting soft shadows and highlighting the rich colors of the fresh produce and the boy’s focused expression.
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A young boy with tousled blond hair stands at the center of a bustling outdoor market stall, his face scrunched in concentration as he bites into a partially eaten green apple held in his right hand. He wears a short-sleeved, button-up shirt with a blue, black, and white plaid pattern, the fabric showing natural creases and texture under bright daylight. To his left, an adult in a crimson t-shirt and dark pants leans in, their left arm extended with an open palm, seemingly offering guidance or encouragement. Behind the boy, a vendor in a white shirt and dark apron tends to a wicker basket overflowing with bright green apples, a small black sign reading “100% ORGANIC” planted in the basket’s edge. Below, wooden crates hold vibrant red and green bell peppers, their glossy surfaces catching the sun. In the background, a woven basket filled with yellow onions rests on a wooden stand, partially obscured by foliage. The entire scene is bathed in warm, natural sunlight, casting soft shadows and highlighting the rich colors of the fresh produce and the boy’s focused expression.
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color
| 1
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1. Instruction Understanding: The instruction is to change the color of a shirt positioned in the top-left area to red. This refers specifically to a shirt in the top-left area of the image (not the boy's shirt, nor adults described elsewhere unless located top-left). 2. Caption Expectation: The description should mention a shirt in the top-left area and clearly state that it is now red, or describe someone wearing a now-red shirt in the top-left of the scene. No other clothing elsewhere should be altered unless it's the top-left shirt. 3. Caption Analysis: The output caption only changes the adult's t-shirt color from 'maroon' to 'crimson', but this adult is described as 'to his left', not explicitly 'top-left', nor is there mention of anything in the top-left area. No explicit mention of a shirt in the top-left, nor clarity about its color being changed to red. 4. Alignment Check: The output caption modifies the color of the shirt worn by the adult to the boy's left, not a shirt clearly placed in the top-left area. Also, the color change is maroon to crimson (a shade of red), but the caption does not establish this person or shirt is in the top-left area. There is ambiguity regarding whether the correct object is targeted. No mention of 'top-left'. 5. Decision: Score of 1. The caption fails to indicate any shirt in the top-left area is changed to red, and only modifies an unrelated shirt without reference to position, thus does not follow the instruction at all.
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A cluster of four pink tulips blooms gracefully against a plain, off-white background, their petals displaying a soft gradient from pale pink at the edges to deeper magenta near the centers. Each flower stands atop a slender green stem, surrounded by long, pointed leaves that curve gently outward, rendered in varying shades of green to suggest natural light and depth. The tulips are arranged in a loose, organic grouping, with one positioned slightly lower and to the left, another slightly higher and to the right, creating a balanced yet asymmetrical composition. The watercolor style lends a soft, painterly quality to the petals and leaves, with subtle blending and visible brushstroke textures. The background is uniformly light and unadorned, allowing the vibrant floral subjects to command full attention without distraction. The overall impression is one of gentle springtime beauty, captured with delicate precision and a tranquil, minimalist aesthetic.
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A cluster of four pink tulips blooms gracefully against a vivid, clear blue sky, their petals displaying a soft gradient from pale pink at the edges to deeper magenta near the centers. Each flower stands atop a slender green stem, surrounded by long, pointed leaves that curve gently outward, rendered in varying shades of green to suggest natural light and depth. The tulips are arranged in a loose, organic grouping, with one positioned slightly lower and to the left, another slightly higher and to the right, creating a balanced yet asymmetrical composition. The watercolor style lends a soft, painterly quality to the petals and leaves, with subtle blending and visible brushstroke textures. The background is uniformly bright blue, providing a bold, contrasting canvas that enhances the vibrancy of the floral subjects. The overall impression is one of gentle springtime beauty, captured with delicate precision and a tranquil, minimalist aesthetic.
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background change
| 5
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1. Instruction Understanding: The instruction requests that the background be changed to a 'sunny blue sky.' This specifies a replacement of the existing background with a blue-sky setting that suggests brightness and sunlight. 2. Caption Expectation: The caption should change from describing an 'off-white background' to one that explicitly references a clear or sunny blue sky. Ideally, there may be mention of the sky’s vividness or clarity to suggest sunlight. No other changes to the tulips or composition should be introduced. 3. Caption Analysis: The output caption replaces the previous background remarks with: 'against a vivid, clear blue sky.' Later, it further describes, 'The background is uniformly bright blue, providing a bold, contrasting canvas that enhances the vibrancy of the floral subjects.' All other content about tulips, arrangement, style, and atmosphere remains unchanged, with references to 'sunny blue sky' via 'vivid, clear blue sky' and 'bright blue.' 4. Alignment Check: The requested object (background) is modified directly, with 'off-white' changed to descriptions capturing a sunny, blue sky. No unrelated changes or hallucinated edits appear. The phrase 'vivid, clear blue sky' and 'bright blue' sufficiently embody the instruction's intent, even if 'sunny' is not literally used, because the descriptors convey brightness and clarity. No attributes of other elements are changed. 5. Decision: Full alignment is demonstrated; the caption reflects the edit completely and accurately, earning a score of 5.
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A person wearing a weathered, blue gas mask with silver-rimmed eye lenses and a central filter, stares directly at the viewer. The mask shows signs of use, with dirt smudges and rust stains visible on its surface. The individual is clad in a dark, hooded jacket, the hood pulled up to frame their face, with the fabric appearing worn and textured. Their eyes, visible through the mask’s eyepieces, are a striking blue, conveying an intense, focused gaze. The background is softly blurred, suggesting an outdoor setting with muted, natural tones and indistinct shapes of trees or foliage. The lighting is diffused and cool, casting a bluish tint over the entire scene, enhancing the somber, atmospheric mood. The composition is tightly framed on the face and upper torso, emphasizing the mask and the person’s penetrating stare.
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A person wearing a weathered, blue gas mask with silver-rimmed eye lenses and a central filter, stares directly at the viewer. The mask shows signs of use, with dirt smudges and rust stains visible on its surface. The individual is clad in a dark, hooded jacket, the hood pulled up to frame their face, with the fabric appearing worn and textured. Their eyes, visible through the mask’s eyepieces, are a striking blue, conveying an intense, focused gaze. The background is now a vivid, neon-lit cyberpunk cityscape, featuring towering skyscrapers with glowing blue outlines and streaks of light, set against a deep blue night sky. The lighting is saturated and artificial, casting a glowing blue hue over the entire scene, enhancing the futuristic, dystopian mood. The composition is tightly framed on the face and upper torso, emphasizing the mask and the person’s penetrating stare.
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background change
| 5
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1. Instruction Understanding: The instruction is to change the background to a futuristic cityscape. This requires replacing any description of a natural, outdoor background with elements characteristic of a future city (such as neon lights, skyscrapers, high-tech atmosphere). 2. Caption Expectation: The caption should retain all references to the person and their attire, but any reference to the original outdoor/nature background should be replaced by a clear description of a futuristic cityscape, ideally with details emphasizing technology and urban elements. 3. Caption Analysis: The output caption keeps the original person, attire, mask, and intense gaze exactly as before. The background is specifically described as a 'vivid, neon-lit cyberpunk cityscape, featuring towering skyscrapers with glowing blue outlines and streaks of light, set against a deep blue night sky.' Lighting is adjusted to 'saturated and artificial, casting a glowing blue hue,' and mood is updated to 'futuristic, dystopian.' All details regarding foliage, natural tones, trees, and diffused outdoor light are replaced by appropriate urban/futuristic descriptions. 4. Alignment Check: The only change is to the background and the lighting/mood to match the new setting, precisely as requested. The person and mask details are unaltered. There are no unrelated or hallucinated changes. The edit is explicit and thorough; the output fully reflects the intended modification. 5. Decision: The output caption perfectly fulfills the instruction.
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A tall, clear glass filled with a creamy, light-beige smoothie rests on a folded, olive-green cloth napkin, positioned slightly to the left of center. The smoothie’s surface is smooth with a few tiny specks visible, and the glass reflects soft ambient light. To the right, a white ceramic plate with a delicate beaded rim holds two halves of a sliced, whole-grain English muffin, their textured, golden-brown interiors exposed. The plate sits directly on a dark, matte-finished table surface that absorbs most of the light, creating a subtle contrast with the bright elements. The green napkin lies partially beneath the glass and extends slightly under the plate, its folds and creases catching the light. The composition is simple and centered, with the glass and plate forming a balanced pair, suggesting a wholesome breakfast or snack setting. The lighting is soft and diffused, highlighting the textures of the food and tableware without harsh shadows.
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A tall, clear glass filled with a creamy, light-beige smoothie rests on a folded, olive-green cloth napkin, positioned slightly to the left of center. The smoothie’s surface is smooth with a few tiny specks visible, and the glass reflects soft ambient light. To the right, a white ceramic plate with a delicate beaded rim holds two halves of a sliced, whole-grain English muffin, their textured, golden-brown interiors exposed. The plate sits directly on a dark, matte-finished table surface that absorbs most of the light, creating a subtle contrast with the bright elements. A neatly folded white cloth napkin now rests partially beneath the plate, its crisp folds and soft texture contrasting with the green napkin and dark table. The composition is simple and centered, with the glass and plate forming a balanced pair, suggesting a wholesome breakfast or snack setting. The lighting is soft and diffused, highlighting the textures of the food and tableware without harsh shadows.
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color
| 2
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1. Instruction Understanding: The instruction asks to turn the napkin positioned in the central left area into white. The specific object to be changed is the napkin located slightly to the left of center, currently described as olive-green and associated with being under the glass. The desired change is its color—from olive-green to white. 2. Caption Expectation: The caption should change references to the olive-green napkin (under the glass, left of center) so that the napkin is now described as white—no longer olive-green. The description should keep its location (left of center, under the glass) and not introduce replacement or duplication of napkins elsewhere in the scene. 3. Caption Analysis: The output caption retains the description of the glass resting on an olive-green napkin positioned slightly to the left of center. It then adds a 'neatly folded white cloth napkin' partially beneath the plate, separate from the green napkin. The green napkin is still present and described as partially beneath the glass and plate. 4. Alignment Check: The required modification (the napkin under the glass, central left area, becoming white) is not correctly performed. The original green napkin remains under the glass, and a new white napkin is added elsewhere (under the plate), which is not what the instruction specifies. Furthermore, references to the green napkin and its location persist, and the napkin in the central left area has not been changed to white. This represents a misunderstanding: adding a white napkin rather than recoloring the specified napkin. No hallucinations besides the extra napkin appear, but the main instruction is missed. 5. Decision: Score 2, major misalignment. The output fails to apply the requested color change to the correct napkin and instead introduces a new napkin not specified by the instruction.
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A cartoon character with black hair and a beard stands in a snowy landscape, looking cold and uncomfortable. He is wrapped in a large, blue blanket that he holds tightly around his body with both hands. The blanket has a fringed edge and drapes over his shoulders and torso. He wears a gray coat, blue pants, and brown boots, standing on a patch of snow with faint footprints visible. Behind him, two snow-covered evergreen trees stand against a pale blue sky with falling snowflakes. The ground is blanketed in white snow, with small tufts of grass peeking through in a few spots. The character’s expression is one of shivering discomfort, with his eyes half-closed and mouth downturned. The overall scene conveys a chilly, wintry atmosphere.
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A cartoon character with black hair and a beard stands in a snowy landscape, looking cold and uncomfortable. He is wrapped in a large, red scarf that he holds loosely around his neck with one hand. The scarf has a fringed edge and drapes down his chest, covering his coat. He wears a gray coat, blue pants, and brown boots, standing on a patch of snow with faint footprints visible. Behind him, two snow-covered evergreen trees stand against a pale blue sky with falling snowflakes. The ground is blanketed in white snow, with small tufts of grass peeking through in a few spots. The character’s expression is one of shivering discomfort, with his eyes half-closed and mouth downturned. The overall scene conveys a chilly, wintry atmosphere.
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replace
| 4
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1. Instruction Understanding: The instruction is to replace the blue blanket (which the cartoon character is wrapped in) with a red scarf, implying a swap in clothing/accessory color and item. 2. Caption Expectation: Ideally, the output caption should no longer mention a blue blanket. Instead, it should describe the character as wrapped in a red scarf, possibly noting similar attributes (being wrapped up, fringed edge, warmth, etc.) but nothing about a blanket. All other caption details should remain unchanged unless directly affected by the item swap. 3. Caption Analysis: The output caption replaces the 'large, blue blanket' with a 'large, red scarf.' The description shifts from the blanket 'held tightly around his body with both hands' and 'draped over his shoulders and torso' to the scarf 'held loosely around his neck with one hand' and 'drapes down his chest, covering his coat.' 'Fringed edge' is retained. All other environmental and character details are unchanged. 4. Alignment Check: The output caption follows the instruction by removing the blue blanket and substituting a red scarf. The color ('red' not 'blue') and item ('scarf' not 'blanket') match requirements. However, there are extra changes: The character now holds the scarf 'loosely' instead of 'tightly,' uses 'one hand' instead of 'both,' and the positioning shifts from wrapped around the 'body, shoulders, and torso' to 'around his neck, down his chest.' While these match the typical way a scarf might be worn, the instruction does not specify a change in pose or manner of wrapping, only a simple object replacement. These pose and wrapping details are minor but constitute slight inaccuracies beyond the strictly requested edit. No unrelated or hallucinated edits are present. 5. Decision: Minor inaccuracies in how the scarf is described versus how the blanket was wrapped (tightness, hand use, placement) prevent a perfect score, but the change is well captured and no incorrect objects or attributes are added. Score: 4.
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A meticulously maintained formal garden unfolds under soft, diffused daylight, its landscape defined by precisely trimmed hedges and manicured lawns. In the foreground, a series of low, curving hedges form an intricate, winding maze pattern, their dense green foliage creating a sense of structured elegance. A set of weathered stone steps ascends from the central lawn, leading toward a towering, rectangular hedge wall that stands as a formidable architectural element. Behind this wall, several rounded topiaries rise like sculpted green orbs, their forms perfectly symmetrical and lush. Tall, slender cypress trees frame the scene on the left, their dark green needles contrasting with the lighter green of the lower hedges. In the background, a mix of coniferous trees provides a textured, darker green backdrop, partially obscuring a glimpse of a distant structure. The entire composition is grounded by a vibrant, uniformly green lawn that stretches across the garden, its surface smooth and unblemished, reflecting the care and precision of its upkeep.
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A meticulously maintained formal garden unfolds under soft, diffused daylight, its landscape defined by precisely trimmed hedges and manicured lawns. In the foreground, a series of low, curving hedges form an intricate, winding maze pattern, their dense green foliage creating a sense of structured elegance. A set of weathered stone steps ascends from the central lawn, leading toward a towering, rectangular hedge wall that stands as a formidable architectural element. Behind this wall, several rounded topiaries rise like sculpted green orbs, their forms perfectly symmetrical and lush. Tall, slender cypress trees frame the scene on the left, their dark green needles contrasting with the lighter green of the lower hedges. In the background, a mix of coniferous trees provides a textured, darker green backdrop, partially obscuring a glimpse of a distant structure. The entire composition is grounded by a vibrant, uniformly green lawn that stretches across the garden, its surface smooth and unblemished, reflecting the care and precision of its upkeep, now softened by the gentle presence of blooming purple and white flowers nestled within the hedge borders.
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add
| 4
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1. Instruction Understanding: The instruction requests the addition of purple and white flowers blooming near the ground in the lower left quadrant of the image. 2. Caption Expectation: The output caption should describe the appearance of purple and white flowers blooming specifically near the ground and clearly located in the lower left quadrant of the image. 3. Caption Analysis: The output caption mentions 'blooming purple and white flowers nestled within the hedge borders,' and adds that this change 'softens' the previously mentioned hedge borders, but does not specify the location as the lower left quadrant or explicitly 'near the ground.' 4. Alignment Check: The output caption has added the correct color and type (blooming flowers) but omits the precise requested location (lower left quadrant) and does not make clear that the flowers are near the ground. The change is otherwise relevant to the instruction, and no hallucinated edits are present. 5. Decision: The alignment is strong for the addition of purple and white flowers, matching the instruction's core intent, but is imperfect due to missing explicit mention of their location and position. Thus, a score of 4 is most appropriate.
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A rustic composition of whole grains and baked goods is arranged on a dark, weathered wooden surface, viewed from directly above. In the upper left, a terracotta bowl brims with plump, golden wheat kernels, while a second bowl below it holds smaller, rounder grains of a different variety. A third bowl, positioned lower left, contains a darker, more compact grain, possibly millet or quinoa. A burlap sack spills a cascade of flat, creamy oat flakes across the center, mingling with scattered grains. To the right, two thick slices of artisanal bread, speckled with seeds and boasting a porous crumb, rest beside a wooden spoon heaped with fine white flour. A small wooden scoop holds a mix of white and red rice grains near the top right. In the lower center, a pile of dark, ridged penne pasta lies in neat, overlapping rows. A wooden spoon, partially filled with grains, rests near the bottom left corner. The entire scene is dusted with stray grains and flour, enhancing the tactile, wholesome feel under soft, directional lighting.
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A rustic composition of whole grains and baked goods is arranged on a dark, weathered wooden surface, viewed from directly above. In the upper left, a terracotta bowl brims with plump, golden wheat kernels, while a second bowl below it holds smaller, rounder grains of a different variety. A third bowl, positioned lower left, contains a darker, more compact grain, possibly millet or quinoa. A burlap sack spills a cascade of flat, creamy oat flakes across the center, mingling with scattered grains. To the right, two thick slices of artisanal bread, speckled with seeds and boasting a porous crumb, rest beside a wooden spoon heaped with fine white flour. A small wooden scoop holds a mix of white and red rice grains near the top right. In the lower center, a pile of dark, ridged penne pasta lies in neat, overlapping rows. A wooden spoon, partially filled with grains, rests near the bottom left corner. In the bottom right, a bundle of long, golden spaghetti strands rests beside a few stalks of wheat, adding a new element to the scene.
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add
| 3
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1. Instruction Understanding: The instruction explicitly requests wheat stalks to be added to the 'upper right corner' of the image. 2. Caption Expectation: The revised caption should describe wheat stalks now present in the upper right corner, clearly noting their addition and location. No other changes are requested. 3. Caption Analysis: The output caption mentions 'a bundle of long, golden spaghetti strands rests beside a few stalks of wheat' added to the 'bottom right,' introducing wheat stalks but placing them in the bottom right corner instead of the requested upper right. Additionally, spaghetti strands are added, though not part of the instruction. 4. Alignment Check: While wheat stalks are now described in the scene, they are in the wrong location (bottom right, not upper right). The addition of spaghetti strands is unrelated and was not requested, representing a hallucinated edit. The modification is partially aligned—the presence of wheat stalks is correct, but the location and added spaghetti strands are incorrect. 5. Decision: The output caption captures the main idea (adding wheat stalks), but misses the crucial detail of their correct location and introduces an extra, unrelated object. Thus, it merits a score of 3.
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A muscular man with a neatly trimmed beard and styled dark hair stands confidently in front of a maroon wall, smiling warmly at the camera. He wears a light blue t-shirt featuring a circular logo that reads "The Protein Chef," flanked by a fork on the left and a knife on the right, with the text "POWERED BY LABRADA" and "BUILDING A BETTER BODY...ONE PLATE AT A TIME" encircling the design. His right arm is extended forward, giving a clear thumbs-up gesture, while his left arm hangs relaxed at his side, revealing a tattoo on his forearm. Behind him, a large banner is pinned to the wall, depicting a cartoon chef with a muscular arm flexing, wearing a white chef’s hat and a red vest over a white shirt, with the partially visible text "The Ch..." below. To the left of the frame, a wooden doorframe with a brass doorknob and a beige curtain hanging on a silver rod is visible, and a white dual light switch plate is mounted on the wall beside it. The scene is evenly lit, casting soft shadows and highlighting the textures of the fabric banner and the man’s skin.
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A muscular man with a neatly trimmed beard and styled dark hair stands confidently in front of a maroon wall, smiling warmly at the camera. He wears a light blue t-shirt featuring a circular logo that reads "The Protein Chef," flanked by a fork on the left and a knife on the right, with the text "POWERED BY LABRADA" and "BUILDING A BETTER BODY...ONE PLATE AT A TIME" encircling the design. His right arm is lowered and relaxed, resting near his waist, while his left arm remains at his side, revealing a tattoo on his forearm. Behind him, a large banner is pinned to the wall, depicting a cartoon chef with a muscular arm flexing, wearing a white chef’s hat and a red vest over a white shirt, with the partially visible text "The Ch..." below. To the left of the frame, a wooden doorframe with a brass doorknob and a beige curtain hanging on a silver rod is visible, and a white dual light switch plate is mounted on the wall beside it. The scene is evenly lit, casting soft shadows and highlighting the textures of the fabric banner and the man’s skin.
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motion change
| 5
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1. Instruction Understanding: The instruction requires that the man lowers his right hand from a previously raised position. The main object is the man's right hand/arm, and the action is 'lowering.' 2. Caption Expectation: The caption should change the description of the man's right hand from a raised position (e.g., extended forward for a thumbs-up) to a lowered position (e.g., relaxed, hanging or resting near the waist). No other details should change. 3. Caption Analysis: The output caption says, 'His right arm is lowered and relaxed, resting near his waist,' replacing the original 'His right arm is extended forward, giving a clear thumbs-up gesture.' All other aspects of the caption remain unmodified. 4. Alignment Check: The output caption reflects the requested modification precisely – the right arm is now described as 'lowered and relaxed, resting near his waist.' There is no mention of a thumbs-up or extension forward. The correct arm (right) is adjusted; no unrelated changes are made. There are no hallucinated edits or omissions. 5. Decision: The change tightly follows the instruction and is both explicit and accurate, meriting a perfect score.
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